Dreaming that you are standing, suggests that you are asserting yourself and making your thoughts/feelings known. It also indicates that you are proud of yourself.

The symbolism of objects varies with the kind of object in question.
But, broadly speaking, every object consists of a material structure with certain
unconscious elements adhering to it (31). The fact that these forgotten or repressed constituents should reappear in a new medium—the object—enables the
spirit to accept them in a form different from the original. Utensils in particular
are possessed of a mystic force which helps to strengthen the intensity and the
rhythm of human volition. Thus, Schneider maintains that such instruments fulfil
a triple rôle: they are cultural instruments, instruments of labour and finally
reflections of the harmonious soul of the universe. The drinking-vessel, for instance, is a sacrificial vessel and also a drum. The blow-pipe is both a flute and a
magic whistle, etc. (50). Such ideas as these, concerned with the primitive notion
of an object, have lately been resuscitated by artistic movements such as Dadaism
and surrealism. By depicting objects in common use as if they were works of art,
Marcel Duchamp removed them from the context of their merely utilitarian function (their only function according to Western ways of thinking) and showed
them in the light of their true essence, since that essence is revealed only in their
uselessness (freed from the necessity to serve some useful purpose). He showed
that it was possible to see in a bottle-stand, for instance, the very mystic structure that governed the Gothic spires rising in the form of a cage, or the lamps in
Islamic mosques with their multiple, descending hoops; and that all the foregoing
are related to the hollow pyramid of the Primitives (a symbol of the ‘conjunction’
of earth—or the mother—with fire—or the spirit), and also to the artificial mountain and the geometric temple. The form of the object, then, fulfils an essential
rôle in determining the symbolism; thus, all those symbols which take the form of
a twin bell, with the upper bell placed upside down on the lower—for example,
the twin drum or the hour-glass—are closely related to the corresponding graphic
symbol: the letter X, or the cross of St. Andrew (symbolic of the intercommunication between the Upper and the Lower Worlds). Objects that are simple in form
and function usually correspond either to the active or to the passive groups; in
other words, they represent either the contents or the receptacle. For instance:
the lance (which is made to pierce) and the cup or chalice (whose sole function is
to contain). The parallel between this classification and the division of the sexes
is self-evident; but to limit the symbolic relevance of a given object to this sexual
implication is to mutilate seriously its true symbolism. The ‘conjunction’ of the
feminine and masculine principles within a complex object, specially if this object
is—as in the case of a machine—endowed with movement, enables us to carry the sexual parallel a stage further and to characterize it as a kind of secularized lingam.
The ‘objects of symbolic function’ of the surrealists were nothing but the practical illustration of this allusive reality, strengthened by the fetishistic character of
the objects illustrated in their compositions. It was Lautréamont in Les Chants de
Maldoror who best described this shifting of the symbolic significance of objects
towards their generic grouping in his remark: ‘beautiful as the chance-finding of an
umbrella and a sewing-machine on a dissecting table’. As always, a symbol of
integration such as this can be taken either on the cosmic plane or at the existential
and sexual level. In the latter case, the umbrella would be a merely phallic representation, the machine would stand for the cteis, and the dissection-table would
be an illustration of the bed. On the cosmic plane, the umbrella is the cosmic
serpent, the machine is the jaguar, and the table is the universe. At the same time,
objects owe part of their significance to their origins: objects fallen from heaven,
such as aerolites and meteorites for example, partake of the sacred character of
Uranus and constitute a symbol of the power of the celestial deities (17). Submarine objects, on the other hand, possess a viscous and abysmal quality betokening
their irrational nature and their aptness for the expression of all that is base and
unconscious. Sacred objects are so by virtue of their associations—as in the case
of attributes or emblems for instance, or their origins—such as the legendary
palladium of Troy, the Salian shields of Rome, the Hebrew Ark of the Covenant,
etc. (28). To come back now to the broadest of generalizations, alongside their
specific symbolism deriving from their form, function, character, origin, colour
and so on, objects in themselves are always symbols of the world: that is, they are
particular expressions of a material order which expounds both the blind irrational force of continuity and the structural pattern defining the object as opposed
to the subject. Finally we would mention that an elaborate application of the
theory of correspondences would demonstrate the serial structure of objects and
suggest a way of reconciling their ‘character’ with the principles governing the
two essential prototypes of the serial arrangement of the universe: that based
upon the number seven, or the planetary prototype; and twelve, or the zodiacal
model. The incomplete character of such forms of symbolic expression has been
apparent to man since the earliest times, and for this reason the attempt was made
to discover objects which could be invested with great symbolic power by means
of the combination and juxtaposition of various ingredients, which were usually
‘noble’ in character, but were occasionally bizarre or even base—as was the case,
for example, with the alchemic preparation known as ‘prime matter’. The aim
was to endow the object with all the powers inherent in the several planes of
cosmic reality. An example of a ‘complete object’ of this kind is the sword in the Grail legend: its pommel was a precious stone of many colours, each colour
representing a particular virtue; its haft was composed of the bones of strange
beasts.

Light, traditionally, is equated with the spirit (9). Ely Star asserts that
the superiority of the spirit is immediately recognizable by its luminous intensity. Light is the manifestation of morality, of the intellect and the seven virtues
(54). Its whiteness alludes to just such a synthesis of the All. Light of any given
colour possesses a symbolism corresponding to that colour, plus the significance
of emanation from the ‘Centre’, for light is also the creative force, cosmic energy irradiation (57). Symbolically, illumination comes from the East. Psychologically
speaking, to become illuminated is to become aware of a source of light, and, in
consequence, of spiritual strength (32).

To see light in your dream, represents illumination, clarity, guidance, plain understanding, and insight. Light is being shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Also consider the color of the light for additional significance.

If the light is particularly bright, then it indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

To see soft or shadowy lighting in your dreams, indicates feelings and thoughts from the primal aspects and less developed parts of your unconscious.

To dream that you cannot turn on the light, indicates a lack of insight and perspective on a situation.

If you dream of light, success will attend you. To dream of weird light, or if the light goes out, you will be disagreeably surprised by some undertaking resulting in nothing.

To see a dim light, indicates partial success.

To dream of lights is very good. It denotes riches and honour.

Seeing light in your dream indicates a clear mind, plain understanding, and insight. Light has been shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Seeing a bright light in your dream indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

To dream that you are at the center of something, represents your belief that everything revolves around you. The dream may also be a metaphor that you are in the middle of some situation that you cannot get out of. If you are off centered, then it indicates that something in your life is out of balance.

As a light shining in the darkness, the star is a symbol of the spirit.
Bayley has pointed out, however, that the star very rarely carries a single meaning—it nearly always alludes to multiplicity. In which case it stands for the forces
of the spirit struggling against the forces of darkness. This is a meaning which has
been incorporated into emblematic art all over the world (4). For this reason,
‘identification with the star’ is possible only to the chosen few. Jung recalls the
Mithraic saying: ‘I am a star which goes with thee and shines out of the depths’
(31). Now, individual stars are often seen in graphic symbolism. Their meaning frequently depends upon their shape, the number of points, the manner of their
arrangement, and their colour (if any). The ‘flaming star’ is a symbol of the mystic
Centre—of the force of the universe in expansion (4). The five-pointed star is the
most common. As far back as in the days of Egyptian hieroglyphics it signified
‘rising upwards towards the point of origin’, and formed part of such words as
‘to bring up’, ‘to educate’, ‘the teacher’, etc. (19). The inverted five-pointed star
is a symbol of the infernal as used in black magic (37).

Being nocturnal, their symbolism is associated with that of night; they
are also linked with the idea of multiplicity (or with disintegration) because they
appear in clusters, and with order and destiny because of their disposition and
location (according to Horapollo Niliacus).

Seeing stars in your dream, symbolize high ideals, spirit, fate and luck. It also means your desire for fame and fortune.

Astrological Sign: Aquarius.
Positive associations with this tarot card:
hope, generosity, serenity, wishes coming true, good health, spiritual awareness.
Negative associations with this tarot card:
self-doubt, lack of trust, cynicism, pessimism.
The Star is a welcome card bringing insight into the future, optimism and hope, renewal of faith and unexpected gifts!.
When considering a new relationship or enterprise The Star is an excellent omen.
This card heralds good times for many things, artistic or educational endeavours, travel, health and spiritual awareness or development.
Negatively this card warns against the perils of self-doubt and negativity that may lead to lost oportunities.
However even with the negative aspect of this card you will be surprised with good luck despite your cynicism.

Spinning—like singing—is equivalent to bringing forth and fostering life. Hence Schneider’s comment ‘unhappy is the poor spinner who leaves her
skeins (that is, her offspring) to dry on the river-bank and finds them gone’ (51).
The Parcae, like fairies, are spinners. Likewise, a host of figures of legend and
folklore.

To dream that you are spinning, means that you will engage in some enterprise, which will be all you could wish.