Dreamt of a gigantic tree, as old as time, so old that it's bark had turned to stone with hieroglyphic fossils etched into it, and so tall it's branches reached into the sky and were hidden by the clouds. I could not see it's roots, either, as I was also sitting in a layer of clouds. I was fully suspended in endless sky on all sides, and surrounded by what seemed like classmates. All I could see of this tree was it's stone, grey trunk that seemed to stretch on for infinity both above and below me.
At one point I stood up and walked over to the tree. Reaching my hand out, I touched it's stone bark. Suddenly, all it's energy entered my body, and the tree shot straight up, vanishing into the heavens. The schoolteacher the told me that I had become the new tree, and I now contained all it's knowledge and energy and would have to learn to use it just as the tree before me had done millions of years ago.
I remember noticing I could levitate above the cloud floor we were all sitting on, and change the sky from day to night with a stroke of my hand. The teacher told me to not explore too much.... to rein it in until I understood more....
There was much more, but I awoke to too many things, and for now it's lost in the ether.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
Stone is a symbol of being, of cohesion and harmonious reconciliation
with self. The hardness and durability of stone have always impressed men,
suggesting to them the antithesis to biological things subject to the laws of change,
decay and death, as well as the antithesis to dust, sand and stone splinters, as
aspects of disintegration. The stone when whole symbolized unity and strength;
when shattered it signified dismemberment, psychic disintegration, infirmity,
death and annihilation. Stones fallen from heaven served to explain the origin of
life. In volcanic eruptions, air turned to fire, fire became ‘water’ and ‘water’
changed to stone; hence stone constitutes the first solid form of the creative
rhythm (51)—the sculpture of essential movement, and the petrified music of creation (50). The mythic and religious significance is only one step removed
from this basic symbolic sense, a step which was taken by the immense majority
of peoples during the animistic era. Meteorites, in particular, came in for worship; the most celebrated are the Kaaba meteorite in Mecca and the Black Stone
of Pessinus, an aniconic image of the Phrygian Great Mother taken to Rome
during the last of the Punic Wars (17). Here is a description of the Mohammedans’ stone, taken from Marques-Rivière: ‘Inside the Kaaba, which is nothing
more than a dark hall, there are three columns holding up the roof which has a
number of silver and gold lamps hanging down from it. The floor is of marble tiles.
In the eastern corner, some five feet above floor-level, not far from the door, is the
famous black stone (al hadjar alaswad) sealed off, composed of three great
sections. . . . In colour it is reddish black with red and yellow patches; in appearance it recalls lava or basalt’ (39). Among the stones venerated by the ancients, we
must not overlook the Greek omphaloi; Guénon maintains that they are really
bethels, a word derived from the Hebrew Beith-El (or the House of God), related
to the biblical ‘And this stone which I have set for a pillar, shall be God’s House’
(Genesis xxviii, 22), even though its sense is magic and not architectonic (28).
There are numerous legends dealing with stones: the so-called Abadir which
Saturn devoured, mistaking it for Jupiter; or the stones of Deucalion and Pyrrha;
or those in the myth of Medusa the Gorgon (6); or that which contained Mithras
until his birth (11). There are other stones in folktales, but these seem to be
invested with rather more modest powers: the Lapis lineus, for example, as it was
called by the Romans, which was supposed to be able to prophesy by changing
its colour; or the Irish stone Lia-Fail, associated with coronations (8). As for the
philosophers’ stone in alchemy, it represents the ‘conjunction’ of opposites, or
the integration of the conscious self with the feminine or unconscious side (or in
other words, the fixing of volatile elements); it is, then, a symbol of the All (33).
As Jung rightly says, the alchemists approached their task obliquely—they did
not seek the divine in matter but tried to ‘produce’ it by means of a lengthy
process of purification and transmutation (32). According to Evola, the touchstone is symbolic of the body, since it is ‘fixed’, as opposed to the ‘wandering’
characteristic of thought, the spirits and desires. But only the resuscitated body—
in which ‘two will be one’—can correspond to the philosophers’ stone. Evola
points out that, for the alchemist, ‘between eternal birth, reintegration, and the
discovery of the philosophers’ stone, there is no difference whatsoever’.
To see stones in your dreams, foretells numberless perplexities and failures.
To walk among rocks, or stones, omens that an uneven and rough pathway will be yours for at least a while.
To make deals in ore-bearing rock lands, you will be successful in business after many lines have been tried. If you fail to profit by the deal, you will have disappointments. If anxiety is greatly felt in closing the trade, you will succeed in buying or selling something that will prove profitable to you.
Small stones or pebbles, implies that little worries and vexations will irritate you.
If you throw a stone, you will have cause to admonish a person.
If you design to throw a pebble or stone at some belligerent person, it denotes that some evil feared by you will pass because of your untiring attention to right principles.
Seeing stones in your dream, symbolizes strength, unity, and unyielding beliefs. Consider the common phrase "etched in stone" which suggest permanence and unchanging attitudes. Some stones also carry sacred and magical meanings. Alternatively, stones may relate to issues of moral judgment and/or guilt. Dreaming that you are carrying a bag of stones, refers to your inner strength and fortitude that you have yet to unleash and reveal to others. Seeing rough stones in your dream, represents your quest in recognizing and developing your self-identity. Part of this quest is to become aware of your unconscious and suppressed thoughts. For various cultures, stones have spiritual significance. Consider the Black Stone of Mecca which is believed by Muslims to allow for direct communication with God. For the Irish, the Blarney Stone is seen as a gift of eloquence.
To hear barking in your dream, suggests that you are annoying those around you with grumpiness and fussiness. The dream may also be analogous to your tendency of barking orders at people, instead of asking or talking kindly. Alternatively, barking refers to unhappy and disgruntled companions.
To hear barking in your dream represents your tendency of barking orders at people instead of asking or talking kindly. It may also indicate that you are annoying others, grumpiness, or fussiness. Dreaming of a happily barking dog, symbolizes pleasures and much social activity. If the dog is barking ferociously, then it represents your habit of unnecessary barking at people and the situations around you. It could also mean unfriendly companions.
There are two principal aspects to cloud-symbolism: on the one
hand they are related to the symbolism of mist, signifying the intermediate world
between the formal and the non-formal; and on the other hand they are associated
with the ‘Upper Waters’—the realm of the antique Neptune. The former aspect
of the cloud is symbolic of forms as phenomena and appearance, always in a state
of metamorphosis, which obscure the immutable quality of higher truth (37). The
second aspect of clouds reveals their family connexion with fertility-symbolism
and their analogous relationship with all that is destined to bring fecundity. Hence
the fact that ancient Christian symbolism interprets the cloud as synonymous
with the prophet, since prophecies are an occult source of fertilization, celestial in origin (46). Hence also the conclusion of Bachelard that the cloud should be
taken as a symbolic messenger (3).
To see fluffy, white clouds in your dream, signify inner peace, spiritual harmony and compassion. An issue in your waking life may be clearing up.
To see dark or stormy clouds in your dream, symbolize depression or anger. It indicates an impending eruption of emotions. Alternatively, it represents a lack of wisdom or confusion in some situation. Thus, the dream may be a metaphor for your "clouded" way of thinking.
To dream of seeing dark heavy clouds, portends misfortune and bad management.
If rain is falling, it denotes troubles and sickness.
To see bright transparent clouds with the sun shining through them, you will be successful after trouble has been your companion.
To see them with the stars shining, denotes fleeting joys and small advancements.
Dark clouds indicate great sorrows that have to be passed through. But they will
pass away if the clouds are moving or breaking away.
Clouds are made of air and water, two of the four basic elements. Some would say that the soul is represented by air and spirit by water. Your positive energy and idealism could be represented by white clouds and your more negative personal characteristics, and private thoughts, by dark storm clouds.
To dream that you are energetic, symbolizes growth, activity, expansion and insight. You need to channel your energy in a positive way.
Here is Luc Benoist’s version of a passage about heaven taken from
the Chândogya Upanishad: ‘In the beginning, all the universe was non-being. It
became being. It grew and formed an egg, which remained unbroken for a year.
Then it broke open. Of the two halves of the shell, one was of silver and the other
of gold.’ The latter was heaven, while the former became earth. In Hindu architecture, these two halves are represented by the altar and the stupa (6). One can
clearly see in all this how the myth arose from converging formal analogies.
Heaven has always been considered, except in Egypt, as part of the masculine or active principle, associated with things of the spirit and with the number three,
whereas the earth is related to the feminine, passive or material principle, and the
number four. Mircea Eliade has something to say about the symbolism of heaven
which is rather less abstract and therefore fails to be so cosmogonic: the azure of
the sky, he suggests, is the veil which hides the divine face. The clouds are his
garments. The light of heaven is the ointment with which he anoints his immense
body. The stars are his eyes (17). Again: among oriental peoples, the dome of
heaven is associated with the nomad’s tent—quite apart from the usual heaven/
earth association—as if they had a presentiment that three-dimensional space is
only a kind of lid which prevents Man from penetrating into the mystery of the
other world. Celestial space, then, ceases to be a container and becomes content
of hyperspace, or rather, of trans-space. A terrible aspect of heaven can be seen in
the myth of the cosmic catastrophe which William Blake appears to have had in
mind when he wrote of ‘the angry religion of the stars’ (3). We must also remember that, from the earliest times, heaven has been thought of as consisting of
several heavens, owing to the tendency of primitive logic to assign a separate,
cellular space to each celestial body or group of bodies, a tendency which anticipates the theory of gravitation, the gravitational field and the laws of organic
structures, and which illuminates the very essence of the relationship between
the qualitative (the discontinuous) and the quantitative (the continuous) (Plate
XVI).
To see heaven in your dream, signifies your desires to find perfect happiness. You may be trying to escape from the difficulties you are experiencing in your life. The dream serves as a medium in which you can restore your faith, optimism, and hope.
If you ascend to heaven in a dream, you will fail to enjoy the distinction you have labored to gain,, and joy will end in sadness.
If young persons dream of climbing to heaven on a ladder, they will rise from a low estate to one of unusual prominence, but will fail to find contentment or much pleasure.
To dream of being in heaven and meeting Christ and friends, you will meet with many losses, but will reconcile yourself to them through your true understanding of human nature.
To dream of the Heavenly City, denotes a contented and spiritual nature, and trouble will do you small harm.
The remainder of your life will be spiritually happy, and your death will be
peaceful.
Seeing heaven in your dream means your desires to find perfect happiness. You may be trying to escape from the difficulties you are experiencing in your life. And your dream serves as a medium in which you can restore your faith, optimism, and hopes.
To see hieroglyphics in your dream, denote that you will face many obstacles as you try to figure out your path in life.
Seeing hieroglyphics in your dream indicates that you will face many obstacles as you try to figure out your path in life.
To see fossils in your dream, symbolize longevity and wisdom. Some relationship or situation is standing the test of time. The dream may also be a metaphor for someone who is stuck in the past or have outdated ways of thinking. Also consider the object that has been fossilized for hints as to what is outdated in your life.
Seeing fossils in your dream, symbolizes death. It is represents longevity and that which has last.
To see your teacher (past or present) in your dream, suggests that you are seeking some advice, guidance, or knowledge. You are heading into a new path in life and are ready to learn by example or from a past experience. Consider your own personal experiences with that particular teacher. What subject was taught? Alternatively, a teacher relates to issues with authority and seeking approval. You may be going through a situation in your waking life where you feel that you are being treated like a student or in which you feel you are being put to a test.
To dream that you are a teacher, indicates that you are in a position of disseminating your knowledge and wisdom to others. The dream may imply how you are "teaching someone a lesson" and giving them a hard time about something. If you are a teacher in real life, then the dream is just a reflection of who you are and is about your work.
To dream that you are having sex with a teacher, implies that there are still things you need to learn when it comes to sex.
Seeing your teacher (past or present) in your dream, suggests that you are seeking some advice, guidance, or knowledge. You are heading into a new path in life and ready to learn by example or from a past experience. Consider your own personal experiences with that particular teacher. What subject was taught? Alternatively, it may relate to issues with authority and seeking approval. You may going through a situation in your waking life where you feel that you are being treated like a student or in which you feel you are being put to a test.
The meaning of this dream depends on your own experiences with teachers or teaching and, of course, the circumstances in your dream. The dream could be addressing your issues with authority and approval. Also, you may have a need for guidance and new learning.
To see old classmates in your dream, indicate that you need to draw on your old associations with your former classmates to gain insight in some current relationship. It represents a past lesson that you have learned and is applicable in some aspect of your waking life now.
Seeing old classmates in your dream indicates that you need to draw on your old associations with your former classmates to gain insight in some current relationship. It represents a past lesson that you have learned and is applicable in some aspect of your waking life now.
To dream that you are levitating, suggests that you are holding on to far-fetched and outlandish ideas. You need to be more realistic. Alternatively, the dream means that you may not be feeling grounded or safe. You are feeling helpless and disconnected with those around you.
To see someone levitating in your dream, represents your desire to be helpful and supportive to others. Alternatively, It indicates that you admire or look up to the person being levitated.
To dream that you are making someone or something levitate in your dream, represents your supportive nature. Alternatively, the dream indicates that you are trying to balance too many things in your life. It may literally mean that "things up are up in the air". You do not have a conclusion or decision about something.
Dreaming that you are levitating means that you are holding on to far-fetched ideas and need to grasp on to more realistic notions. Alternatively, you may be cut off from feeling grounded and safe. It represents a feeling of being disconnected with those around you and feeling helpless.
the phenomenon or ability of a person or thing to rise into the air and float in apparent defiance of gravity by apparently supernatural means. The raising or suspension of persons or objects into the air without any apparent agency as required by known physical laws of motion and gravity.
To look up at the clear blue sky in your dream, denotes hope, possibilities, creativity, peace and freedom of expression. As the saying goes "the sky's the limit." If the sky is cloudy and overcast, then it foretells of sadness and trouble.
To see a green colored sky in your dream, symbolizes high hopes. The strange color of the sky helps to instantly draw your attention to it. The color green and the sky itself both represent hope, nature or creativity. So these are the qualities that you need to focus on. It is also indicative of a positive outlook and prosperous future.
To see a red colored sky in your dream, represents looming danger. Alternatively, it suggests that something is coming to an end. If the sky is white, then it symbolizes desires. If you dream of a colorful sky in your dream, then it denotes romance.
To dream that the sky is falling, represents your fear of the unknown. You feel that your hopes and dreams have been shattered. Perhaps you have been too idealistic and the dream is an attempt to bring you back to reality.
To dream that something is falling out of the sky, signifies your pessimistic attitude. You are losing perspective on a situation. If the object is getting closer and casting a shadow on you, then it indicates that you are being ignorant about some situation. You need to get out from under the shadow and gain a different perspective on things.
To dream of the sky, signifies distinguished honors and interesting travel with cultured companions, if the sky is clear. Otherwise, it portends blasted expectations, and trouble with women.
To dream of floating in the sky among weird faces and animals, and wondering all the while if you are really awake, or only dreaming, foretells that all trouble, the most excruciating pain, that reach even the dullest sense will be distilled into one drop called jealousy, and will be inserted into your faithful love, and loyalty will suffer dethronement.
To see the sky turn red, indicates that public disquiet and rioting may be expected.
To look up at the clear blue sky in your dream indicates peace and freedom of expression. If the sky is cloudy and overcast, then it foretells of sadness and trouble.