This was my first time taking calea zacatechichi and i tell you it works! it works real good!
i did the wake back to bed method, went to bed at 11 30 woke up at 3 30, drank a shot of the tea( by far the most disgusting thing i ever tasted ) and smoked a joint of the same plant.
took me forever to fall back asleep but i recall atleast 5 dreams and im just going to mash them all up here because i dont think they all fit together
The first one i was flying a dragon to the top of a ice mountain. and from the top there was a map where i could point too and the dragon would take me i dont recall many of the locations... i decided to repell back down the mountain, where i seen a father and son climbing down the mountain, i gave them a rope to hold on too and i just jumped off the mountain holding on to the rope and was eventually at the bottom,
at this point i remember seeing a wall of ice, but upon closer inspection this mountinous wall was actually made of frozen giants, i went to climb it and ripped the shoulder off one of the giants and it "woke up" and tried to kill me. i defeted it with a giant hammer by smashing its legs. i then start hammering and clearing away the ice giants so i can climb this ice wall, on top of the ice wall was a jolteon looking creature who shot lightning at anyone trying to climb or get close to the mountain, this thing was un-passable, all i remember from that dream
Then im in a mall and im holding my cellphone camera up and i see that when i hold the camera at someone it shows their name, this for somereason entertained me . I end up at a metaphysical store and right away with out even asking im offered a job, i was super excited.
im in a different mall, this one is on the MOON , all i remember is running around and jumping and grinding the rails of the stair ways, the gravity was low so when i jumped i jumped like 4-5 feet
i run into a girl at the mall and she tells me for excellent dream recall i need to buy some vitamin b6. so i run around the mall looking for a vitamin store
i see one that i think is a vitamin store but it ends up being a some place that sells dead plants , this place was really crowded and not what i wanted, so i go outside and i see that girl again, and i ask what her name is and where shes from, she said she is also canadian but when she tried to tell me her name and where in ontario a huge gust of wind would block out any words,
Given that water is the symbol of communication between the formal and
the informal, the element of transition between different cycles, yielding by
nature, and also related to the ideas of material, earthly fecundity and the Heraclitean
‘death of the soul’, it follows that ice represents principally two things: first, the
change induced in water by the cold—that is, the ‘congelation’ of its symbolic
significance; and, secondly, the stultification of the potentialities of water. Hence
ice has been defined as the rigid dividing-line between consciousness and the
unconscious (or between any other dynamic levels) (56). Although the negative
sense is predominant, it is not lacking in a positive sense in so far as the solidification is tantamount to toughness, and the coldness implies resistance to all that
is inferior; in this latter sense it corresponds to Nietzsche’s freezing and ‘hostile’
air of mountain-peaks.
To see ice in your dream, suggests that you are lacking a flow of ideas and thoughts. You are not seeing any progress in your life. Alternatively, you may be feeling emotionally paralyzed or rigid. You need to let your feelings be known.
To dream that you are walking on ice, indicates that you are standing on shaky or instable ground. You need to proceed with caution in some matter or situation. Alternatively, the dream also suggests that you are taking risks that you shouldn't be taking.
To dream that you slip on ice, symbolizes your insecurities and self-esteem issues. There may also be an obstacle ahead for you.
To dream that you fall through ice, suggests that your emotions are threatening to come crashing through.
To dream of ice, betokens much distress, and evil-minded persons will seek to injure you in your best work.
To see ice floating in a stream of clear water, denotes that your happiness will be interrupted by ill-tempered and jealous friends.
To dream that you walk on ice, you risk much solid comfort and respect for evanescent joys.
For a young woman to walk on ice, is a warning that only a thin veil hides her from shame.
To see icicles on the eaves of houses, denotes misery and want of comfort.
Ill health is foreboded.
To see icicles on the fence, denotes suffering bodily and mentally.
To see them on trees, despondent hopes will grow gloomier.
To see them on evergreens, a bright future will be overcast with the shadow of doubtful honors.
To dream that you make ice, you will make a failure of your life through egotism and selfishness.
Eating ice, foretells sickness. If you drink ice-water, you will bring ill health from dissipation.
Bathing in ice-water, anticipated pleasures will be interrupted with an unforeseen event.
Seeing ice in your dream, suggests that you are lacking a flow of ideas and thoughts. You are not seeing in progress in your life. Alternatively, you may be feeling emotionally paralyzed or rigid. You need to let your feelings be known. Dreaming that you are walking on ice indicates that you are standing on shaky or instable ground. You are taking risks that you shouldn't be taking. Fear and caution are also implied. Dreaming that you fall through ice, suggests that your emotions are threatening to come crashing through.
Ice, or water in the solid form, is associated with the emotions and the unconsciousness. Dreaming about ice suggests that you may have some emotions or denied psychological issues that are not readily accessible to you. These feelings may be negative. (I.e. fear and anxiety about death or sexual frigidity) Things that are frozen are generally not usable and they do not change or grow. This dream may be pointing to feelings or thoughts that are inaccessible to you or to that part of you that is inaccessible to others. Superstition based dream interpretation books tell us that sitting on ice in your dreams is a dream of the contrary. It indicates that you may have a life of comfort and prosperity.
The different meanings which have been attached to the symbolism of the mountain stem not so much from any inherent multiplicity as from the
various implications of each of its component elements: its height, verticality,
mass and shape. Deriving from the first idea (height) are interpretations such as
that of Teillard, who equates the mountain with inner ‘loftiness’ of spirit (56),
that is, transposing the notion of ascent to the realm of the spirit. In alchemy, on
the other hand, the reference is nearly always to the hollow mountain, the hollow
being a cavern which is the ‘philosophers’ oven’. The vertical axis of the mountain drawn from its peak down to its base links it with the world-axis, and,
anatomically, with the spinal column. Because of its grandiose proportions, the
mountain came to symbolize, for the Chinese, the greatness and generosity of the
Emperor; it is the fourth of the twelve imperial emblems (5). But the profoundest
symbolism is one that imparts a sacred character by uniting the concept of mass,
as an expression of being, with the idea of verticality. As in the case of the cross
or the Cosmic Tree, the location of this mountain is at the ‘Centre’ of the world.
This same profound significance is common to almost all traditions: suffice it to
recall mount Meru of the Hindus, the Haraberezaiti of the Iranians, Tabor of the
Israelites, Himingbjör of the Germanic peoples, to mention only a few. Furthermore, the temple-mountains such as Borobudur, the Mesopotamian ziggurats or
the pre-Columbian teocallis are all built after the pattern of this symbol. Seen
from above, the mountain grows gradually wider, and in this respect it corresponds to the inverted tree whose roots grow up towards heaven while its foliage
points downwards, thereby expressing multiplicity, the universe in expansion,
involution and materialization. This is why Eliade says that ‘the peak of the
cosmic mountain is not only the highest point on earth, it is also the earth’s navel,
the point where creation had its beginning’—the root (18). The mystic sense of
the peak also comes from the fact that it is the point of contact between heaven
and earth, or the centre through which the world-axis passes, binding the three
levels together. It is, incidentally, also the focal point of Inversion—the point of
intersection of the immense St. Andrew’s cross, which expresses the relationship
between the different worlds. Other sacred mountains are Sumeru of the UralAltaic peoples (17) and Caf in Moslem mythology—a huge mountain the base of which is formed by a single emerald called Sakhrat (8). Mount Meru is said to be
of gold and located at the North Pole (8), thus underlining the idea of the Centre
and, in particular, linking it with the Pole Star—the ‘hole’ through which all things
temporal and spatial must pass in order to divest themselves of their worldly
characteristics. This polar mountain is also to be found in other symbolic traditions, always bearing the same symbolism of the world-axis (25); its mythic
characteristics were, in all probability, based upon the fixed position of the Pole
Star. It is also called the ‘white mountain’, in which case it embraces both the
basic mountain-symbolism with all the implications outlined above and that of
the colour white (intelligence and purity). This was the predominating characteristic of Mount Olympus (49), the supreme, celestial mountain which Schneider
sees as corresponding to Jupiter and equivalent to the principle of the number
one. There is another mountain, relevant to the symbolism of the number two,
and that is the mountain of Mars and Janus—that is, as the Gemini; basically,
they represent two different aspects of the same mountain, but blending together
the symbolism of the ‘two worlds’ of Atma and Buddhi, or the two essential,
rhythmic aspects of manifest creation—light and darkness, life and death, immortality and mortality. This mountain has two peaks, in order to give visual expression to its dual or ambivalent meaning. It occurs constantly in traditional, megalithic culture, particularly in the form of a landscape, illustrating yet again the
Protean myth of the Gemini, which bursts out in so many different forms in
primitive thought and art. This mountain is also a form of mandorla consisting of
the intersection of the circle of the heavens with that of the earth, and this
mandorla is, as it were, the crucible of life, containing the opposite poles of life
(good and bad, love and hate, fidelity and treachery, affirmation and negation, the
numbers 2 and 11—both equal to one plus one—and finally construction and
destruction). Incidentally, the animals which correspond to this all-embracing
significance of the mandorla are the whale and the shark (51). In Hindu legend, the
castle of Indra was built on this mountain; whereas in Roman legend it was the
castle of Mars, and the home of the thunderbolt, the two-headed eagle and the
Gemini. It has been called the ‘mountain of stone’ and is at once the abode of the
living (the exterior of the mountain) and of the dead (the hollow interior) (50).
Krappe has borne this out with the observation that ‘The interior of a mountain
has frequently been taken as the location of the Land of the Dead: the derivation
of the Celtic and Irish fairy-hills, and of the legend, widespread in Asia and
Europe, of a demiurge or hero asleep inside a mountain, one day to emerge and
renew all things sublunar’ (35). This myth has obvious connexions with the myth
of Entanglement—of the castle inextricably entangled in a wood and also with the story of the ‘Sleeping Beauty’. All such myths are concerned with the mystery of
a disappearance between appearance and reappearance. Schneider lists the following trades and professions as being associated with Mars: those of the king,
physician, warrior and miner, as well as the martyr (51). In Western tradition, the
mountain-symbol appears in the legend of the Grail, as Montsalvat (the ‘mountain of salvation’ or ‘of health’)—just as much a ‘polar mountain’ as it is a ‘sacred
island’, according to Guénon; but always it is inaccessible or difficult to find (like
the ‘centre’ of the labyrinth) (28). In general, the mountain, the hill and the
mountain-top are all associated with the idea of meditation, spiritual elevation
and the communion of the blessed. In mediaeval emblems, the symbolism of the
‘mountain of salvation’ is further defined by a complementary figure surmounting it, such as the fleur-de-lis, the star, the lunar crescent, the cross, steps, the
crown, the circle, the triangle, or the number three. The letter Z sometimes occurs,
standing for Zion; similarly, an R is short for Regeneratio (4). Some of these
symbols have lent themselves to a poetic treatment that is well worth examination. From the moment when the mountain, so to speak, divests itself of its
terrestrial and material character and becomes the image of an idea, the more
numerous the component elements pertaining to this idea, the greater will be its
clarity and force. Hence, mount Meru of India is considered to have the shape of
a pure, seven-sided pyramid (corresponding to the seven planetary spheres, the
seven essential virtues and the seven Directions of space) and each face has one of
the colours of the rainbow. Seen as a whole, the mountain is a shining white, by
which token it may be equated with the ‘polar mountain’ and the all-embracing
image of totality (also symbolized by the pyramid-symbol), tending towards
Oneness (symbolized by the peak)—to avail ourselves of the concepts of Nicholas of Cusa.
For a young woman to dream of crossing a mountain in company with her cousin and dead brother, who was smiling, denotes she will have a distinctive change in her life for the better, but there are warnings against allurements and deceitfulness of friends. If she becomes exhausted and refuses to go further, she will be slightly disappointed in not gaining quite so exalted a position as was hoped for by her.
If you ascend a mountain in your dreams, and the way is pleasant and verdant, you will rise swiftly to wealth and prominence. If the mountain is rugged, and you fail to reach the top, you may expect reverses in your life, and should strive to overcome all weakness in your nature. To awaken when you are at a dangerous point in ascending, denotes that you will find affairs taking a flattering turn when they appear gloomy.
Seeing mountains in your dream means many major obstacles and challenges that you have to overcome. If you are on top of the mountain, then it means that you have achieved and realized your goals. Alternatively, mountains indicates a higher realm of consciousness, knowledge, and spiritual truth. Dreaming that you are climbing a mountain means your determination and ambition. Dreaming that you fall off a mountain, suggests that you are in a hurry to succeed without thoroughly thinking about your path to success. It also means that you have a tendency to give up or escape from demanding situations.
Climbing a real mountain is not always fun but it usually challenging and rewarding. Some say that the mountain may represent spirituality while others suggest mental development and self-awareness. The most literal interpretation of climbing a mountain is that it represents attainment of goals. If you are ascending a mountain you may be are working hard and trying to accomplish your goals, whether they are spiritual, emotional, or material.
To dream that you are at the mall, represents your attempts in making a favorable impression on someone. You are trying to establish your identity and sense of self. The mall is also symbolic of materialism and the need to keep up with the trends, fads, and/or the latest technology.
Dreaming that you are at the mall, represents your attempts in making a favorable impression on someone. The mall is also symbolic of materialism and the need to keep up with the trends, fads, and/or the latest technology.
Its significance is diverse, depending upon which of its different characteristics is taken as fundamental. In the Egyptian system of hieroglyphs, the
wall is a determinative sign conveying the idea of ‘rising above the common level’
(19); clearly the predominant sense here is that of its height. A wall enclosing a
space is the ‘wall of lamentations’, symbolic of the sensation of the world as a
‘cavern’—of the doctrine of immanentism or the metaphysical notion of the
impossibility of reaching the outside. It expresses the ideas of impotence, delay,
resistance, or a limiting situation. Now, the wall seen from within as an enclosure
has a secondary implication of protection which, according to its function and the
attitude of the individual, may even be taken as its principal meaning. Psychoanalysts frequently regard it in this light and hence have classified it as a mothersymbol, comparable with the town and the house or home (56). Bayley sums up the two essential features of the wall as follows: Like the house, it is a mystic
symbol representing the feminine element of mankind. This enables us to understand the (otherwise absurd) assertion of the Shulamite in the Song of Songs: ‘I
am a wall’. At the same time, this image has another term of comparison, that of
matter as opposed to spirit (4). It should be noted that the symbolism in the latter
case remains unchanged, since matter corresponds to the passive or feminine
principle, and spirit to the active or masculine.
To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.
To dream that you are climbing up something (ladder, rope, etc.), signifies that you are trying to or you have overcome a great struggle. It also suggests that your goals are finally within reach. Climbing also means that you have risen to a level of prominence within the social or economic sphere.
To dream that you are climbing down something, indicates that you need to acknowledge and take notice of your unconscious. You are expressing some hesitance and reservation with delving into your more negative feelings. Alternatively, it suggests that you may be feeling low or emotionally drained.
Dreaming that you are climbing up something (ladder, rope, etc.) means that you are trying to or you have overcome a great struggle. It also suggests that your goals are finally within reach. Climbing also means that you have risen to a level of prominence within the social or economic sphere. Dreaming that you are climbing down a cliff, indicates that you need to acknowledge and take notice of your unconscious. You are expressing some hesitance and reservation with delving into your more negative feelings. Alternatively, it suggests that you may be feeling low or emotionally drained.
To dream of a store filled with merchandise, foretells prosperity and advancement.
An empty one, denotes failure of efforts and quarrels.
To dream that your store is burning, is a sign of renewed activity in business and pleasure.
If you find yourself in a department store, it foretells that much pleasure will be derived from various sources of profit.
To sell goods in one, your advancement will be accelerated by your energy and the efforts of friends.
To dream that you sell a pair of soiled, gray cotton gloves to a woman, foretells that your opinion of women will place you in hazardous positions. If a woman has this dream, her preference for some one of the male sex will not be appreciated very much by him.
To see or be in a grocery or convenience store in your dream, suggests that you are emotionally and mentally strained. Alternatively, the dream means that you are brainstorming for some new ideas or looking at the various choices out there for you. The dream may be a pun on something that is in "store" for you. It could signify the inevitable.
Dreaming of grocery or convenience store, suggests that you are emotionally and mentally strained. Alternatively, you may be brainstorming for new ideas or looking for the various choices out there for you.
To see or spin a top in your dream, represents idleness. You are not going anywhere in life and are wasting your time away on frivolous pleasures.
To dream that you are on top, signifies your goals, aspirations and ideals. You are seeking higher understanding and knowledge.
Seeing or spin a top in your dream, represents idleness. You are wasting your time away on frivolous pleasures. Dreaming that you are on top means your aspirations and ideals. You are seeking higher understanding and knowledge.
One of the eight ‘common emblems’ of Chinese symbolism, it is an
allegory of happiness. When several leaves appear together as a motif, they
represent people; in this sense it is closely related to the significance of herbs as
symbols of human beings (5).
A fabulous animal and a universal, symbolic figure found in the
majority of the cultures of the world—primitive and oriental as well as classical.
A morphological study of the legendary dragon would lead to the conclusion that it is a kind of amalgam of elements taken from various animals that are particularly aggressive and dangerous, such as serpents, crocodiles, lions as well as
prehistoric animals (38). Krappe believes that the amazement occasioned by the
discovery of the remains of antediluvian monsters may have been a contributory
factor in the genesis of the mythic dragon. The dragon, in consequence, stands for
‘things animal’ par excellence, and here we have a first glimpse of its symbolic
meaning, related to the Sumerian concept of the animal as the ‘adversary’, a
concept which later came to be attached to the devil. Nevertheless, the dragon—
like all other symbols of the instincts in the non-moral religions of antiquity—
sometimes appears enthroned and all but deified, as, for example, in the standards
and pennons pertaining to the Chinese Manchu dynasty and to the Phoenicians
and Saxons (4). In a great many legends, overlaying its deepest symbolic sense,
the dragon appears with this very meaning of the primordial enemy with whom
combat is the supreme test. Apollo, Cadmus, Perseus and Siegfried all conquer
the dragon. In numerous masterpieces of hagiography, the patron saints of knighthood—St. George and St. Michael the Archangel—are depicted in the very act of
slaying the monster; there is no need to recall others than the St. George of
Carpaccio, or of Raphael, or the St. Michael of Tous by Bermejo. For Dontenville
(16), who tends to favour an historicist and sociological approach to the symbolism of legends, dragons signify plagues which beset the country (or the individual
if the symbol takes on a psychological implication). The worm, the snake and the
crocodile are all closely linked with the concept of the dragon in their own particular way. In France, the dragon is also related to the ogre as well as to Gargantua
and giants in general. In Schneider’s view, the dragon is a symbol of sickness (51).
But before going further into its meaning, let us quote some examples to show
how widespread are the references to this monster. The classics and the Bible
very frequently allude to it, providing us with detailed information about its
appearance, its nature and habits. But their descriptions point to not one but
several kinds of dragon, as Pinedo has noted: ‘Some give it the form of a winged
serpent; it lives in the air and the water, its jaws are immense, it swallows men and
animals having first killed them with its enormous tail. Conversely, others make
it a terrestrial animal, its jaws are quite small, its huge and powerful tail is an
instrument of destruction, and it also flies and feeds upon the blood of the animals
it kills; there are writers who consider it to be amphibious, in which case its head
becomes that of a beautiful woman with long flowing hair and it is even more
terrible than the previous versions.’ In the Bible, there are the following references to the dragon: Daniel xiv, 22, 27; Micah i, 8; Jeremiah xiv, 6; Revelation xii,
3, 7; Isaiah xxxiv, 13, and xliii, 20. There are further mentions by Rabanus Maurus (Opera, III), Pliny (VIII, 12), Galen, Pascal (De Coronis, IX), and among other
characteristics which these writers ascribe to the dragon are the following particularly interesting points: that it is strong and vigilant, it has exceptionally keen
eyesight, and it seems that its name comes from the Greek word derkein (‘seeing’). Hence it was given the function, in clear opposition to its terrible implications, of guarding temples and treasures (like the griffin), as well as being turned
into an allegory of prophecy and wisdom. In the Bible, it is the negative side of
the symbol which receives emphasis; it is interesting to note that the anagram of
Herod in Syrian—ierud and es—means ‘flaming dragon’ (46). Sometimes the
dragon is depicted with a number of heads and its symbolism then becomes
correspondingly unfavourable, given the regressive and involutive sense of all
numerical increase. ‘And behold a great red dragon, having seven heads and ten
horns, and seven crowns upon his heads
, in the words of Revelation (xii, 3). On
other occasions, the dragon is used in emblems, in which case it is the symbolism
of the form or shape which takes precedence over that of the animal, as for
example, the dragon biting its tail—the Gnostic Ouroboros, a symbol of all cyclic
processes and of time in particular. The dragon figured quite frequently in alchemy; for the alchemists, a number of dragons fighting with each other illustrated the state of putrefactio (separating out the Elements, or psychic disintegration). And the winged dragon represented the volatile element, while the wingless
creature stood for the fixed element (according to Albert Poison). It is perhaps in
China that this monster has been most utilized and has achieved its greatest
degree of transfiguration. Here it becomes an emblem of imperial power. Whereas
the Emperor numbered the five-clawed dragon among his ornaments, the officials
of his court had the right to keep only the four-clawed (5). According to Diel, the
generic dragon of China symbolizes the mastering and sublimation of wickedness
(15), because the implication is that of a ‘dragon conquered’, like that which
obeys St. George once he has overcome it. Frazer tells how the Chinese, when
they wish for rain, make a huge dragon out of wood and paper and carry it in
procession; but if it does not rain, then they destroy the dragon (21). Chuang-tzu
maintains that this arises from the fact that the dragon and the serpent, invested
with the most profound and all-embracing cosmic significance, are symbols for
‘rhythmic life’. The association of dragon/lightning/rain/fecundity is very common in archaic Chinese texts (17), for which reason the fabulous animal becomes
the connecting-link between the Upper Waters and earth. However, it is impossible to generalize about the dragon of Chinese mythology, for there are subterranean, aerial and aquatic dragons. ‘The earth joins up with the dragon’ means that
it is raining. It plays an important part as an intermediary, then, between the two extremes of the cosmic forces associated with the essential characteristics of the
three-level symbolism, that is: the highest level of spirituality; the intermediary
plane of the phenomenal life; and the lower level of inferior and telluric forces. A
related and powerful part of its meaning is that of strength and speed. The oldest
Chinese images of the dragon are very similar to those of the horse (13). In
esoteric Chinese thought, there are dragons which are linked with colour-symbolism: the red dragon is the guardian of higher science, the white dragon is a lunar
dragon. These colours derive from the planets and the signs of the Zodiac. In the
Middle Ages in the Western world, dragons make their appearance with the throat
and legs of an eagle, the body of a huge serpent, the wings of a bat and with a tail
culminating in an arrow twisted back upon itself. This, according to Count Pierre
Vincenti Piobb, signifies the fusion and confusion of the respective potentialities
of the component parts: the eagle standing for its celestial potential, the serpent
for its secret and subterranean characteristic, the wings for intellectual elevation,
and the tail (because the form is that of the zodiacal sign for Leo) for submission
to reason (48). But, broadly speaking, present-day psychology defines the dragonsymbol as ‘something terrible to overcome’, for only he who conquers the dragon
becomes a hero (56). Jung goes as far as to say that the dragon is a mother-image
(that is, a mirror of the maternal principle or of the unconscious) and that it
expresses the individual’s repugnance towards incest and the fear of committing
it (31), although he also suggests that it quite simply represents evil (32). Esoteric
Hebrew tradition insists that the deepest meaning of the mystery of the dragon
must remain inviolate (according to the rabbi Simeon ben Yochai, quoted by
Blavatsky) (9). The universal dragon (Katholikos ophis) of the Gnostics is the
‘way through all things’. It is related to the concept of chaos (‘our Chaos or Spirit
is a fiery dragon which conquers all things’—Philaletha, Introitus) and of dissolution (The dragon is the dissolution of bodies’). (The quotations are taken from the
Pseudo-Democritus.) Regarding symbols of dissolution, Hermetic doctrine uses
the following terms: Poison, viper, universal solvent, philosophical vinegar=the
potential of the undifferentiated (or the Solve), according to Evola. He adds that
dragons and bulls are the animals fought by sun-heroes (such as Mithras, Siegfried,
Hercules, Jason, Horus, or Apollo) and—bearing in mind the equations
woman=dragon, mercury and water; and green=’what is undigested’—that ‘if the
dragon reappears in the centre of the “Citadel of Philosophers” of Khunrath, it is
still a dragon which has to be conquered and slain: it is that which everlastingly
devours its own self, it is Mercury as an image of burning thirst or hunger or the
blind impulse towards gratification’, or, in other words, Nature enthralled and
conquered by Nature, or the mystery of the lunar world of change and becoming as opposed to the world of immutable being governed by Uranus. Böhme, in De
Signatura rerum, defines a will which desires and yet has nothing capable of
satisfying it except its own self, as ‘the ability of hunger to feed itself’ (Plate VI).
To see a dragon in your dream, represents your strong will and fiery personality. You tend to get carried away by your passion, which may lead you into trouble. You need to exercise some self-control.
In the eastern cultures, dragons are seen as spiritual creatures symbolizing good luck and fortune.
To dream that you are a dragon and breathing fire, suggests that you are using your anger to get your own way.
To dream of a dragon, denotes that you allow yourself to be governed by your passions, and that you are likely to place yourself in the power of your enemies through those outbursts of sardonic tendencies. You should be warned by this dream to cultivate self-control.
This large, mystical creature may represent large and mystical forces inside of you. In the Far East it is believed that the dragons are spiritual creatures that navigate through the air and through the sky. In the West, dragons are considered to be dangerous creatures that need to be destroyed. As far as dream symbols go, the dragon may represent the enormous power in your unconscious. It could symbolize repressed unconscious material, including fear. However, the dragon in our dreams is generally a positive symbol. It may represent a period of time when the dreamer will confront his fears and empower himself to effectively cope with negative emotions, extreme materialism, and be able to obtain greater inner and outer freedom.
A Dragon totem is one of the most powerful totems, representing a huge range of qualities, emotions, and traits. When Dragons come to us, it could mean many things.
The most common message a Dragon totem carry to us is a need for strength, courage, and fortitude. Dragons are also messengers of balance, and magic - encouraging us to tap into our psychic nature and see the world through the eyes of mystery and wonder.
More specifically, Dragons are the embodiment of primordial power - the ultimate ruler of all the elements. This is because the Dragon is the master of all the elements: Fire, Water, Earth, and Wind.
As a totem, the Dragon serves as a powerful guardian and guide. Encourage communication with your Dragon, and acknowledge your Dragon's presence as often as possible.
In Chinese culture, the season of the Dragon is mid-spring, its direction is east-southeast, and its fixed element is wood. See Chinese Dragon page for more inforamation on the Dragons within the Asian culture.
There are many ways to strengthen your bond with your Dragon totem. Here are a few suggestions:
Meditation upon your Dragon totem.
Begin collecting Dragon images that resonate with you. Keep these images close, and easily available to you. Look upon these images whenever you wish to communicate with your Dragon totem.
Better yet, begin drawing while communicating with your Dragon. Ask your Dragon to reveal itself to you through your drawing. Check out my friend Barbara's webpage offering free tips on how to draw dragons here!
Begin a Dragon totem journal
Read everything you can on Dragons. This will broaden your horizons, and expand your imagination. A warning though: By all means, never be limited by the scope of what you read. Ultimately, it is you and your Dragon that will create the perfect understanding. There is never a limit in matters of spirit - that includes matters concerning our totems (especially strong totems like the Dragon!).
A Dragon totem can be a powerful ally in our daily effort to live our lives. When we call upon the amazing restorative and potent qualities of the Dragon, we are able to effectively live our lives with the honestly, courage, and strength of a peaceful warrior.
Utilizing the symbolic power of the dragon totem is an internal process cultivated by contemplating the attributes of the dragon we admire and meditating upon these.
We can also honor the dragon totem externally by little actions like including dragon imagery in our lives. It solidifies my connection with the magic the dragon offers.
Whether you are an artist who looks to dragons for inspiration, or a business mogul identifying with a solid symbol of strength or luck - it's clear dragons speak to those special places within us, stoking the fires of our hearts.
The Dragon represents prosperity. This may be of spiritual (intuition) rather than materiaal riches, because the dragon was regarded as the guaridian of treasure that lay hidden deep within the unconscious and was hard to obtain.
(Ancient, most world culture) A legendary reptilian monster similar in form to a crocodile but with wings, huge claws, and fiery breath. In the Mesopotamian creation myth (Enuma Elish), dating from about 2000 BC, a dragon was considered a symbol for destruction and evil. So it was also considered in the writings of the ancient Hebrews. The Bible (Revelation) also so considers it. Dragons became more benign in later mythologies. The Greeks and Romans believed that they had the ability to understand and to teach mortals the secrets of the earth. Because of this duality, destruction and positive influence, it was often adopted as a military emblem; the Roman legions used it thusly as early as the first century AD. The folklore of northern Europe contains a similar interpretation of the dragon. Norsemen carved the prows of their ships with likenesses of the dragon. The ancient Celtic considered the dragon a symbol of sovereignty. The Teutonic invaders of Britain had dragons depicted on their shields. The dragon also figures in the folklore of Japan.
In China it is traditionally considered as a symbol of good fortune, and was the national emblem of the Chinese Empire. Unlike Middle Eastern or Western dragons, the Lungs (Chinese appelation for "dragons") were benevolent and brought rain, guarded sacred dwellings and such tasks.
There were four types:
1.The T'ien Lung, or Celestial Dragon
2.The Fu Tsang Lung or Treasure Dragon
3.The Ti Lung, or Earth Dragon
4.The Shen Lung, or Rain Dragon (also called Kung Kung)
The latter two Lungs are together known as the Wang Lung, and are propitiated as water deities, dwelling in the Seas. (This information is derived from the 17th century Ming classic San-ts`ai t`ui-hui or Threefold Picture Book. This was an illustrated encyclopedia.)