12/25/12 A group of people on skinny cliff edges. Very high up.
There wasn't a bridge connecting the span. About 3 feet across. An arms length.
The bridge was shifting in and out, visible and invisible, flickering like static, here not here. There was frantic energy. The train was coming through the space. We all had to squeeze our bodies tight against the wall so the train could pass through the mountain side and wouldn't clip us as we are pressed with our backs to the mountain on a narrow ledge. There was an even amount of mixed gender humans across from each other on the 2 facing cliff ledges. A giant flickering steam locomotive was barreling through the dream scene. In the space between. In the chasm.
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I have been feeling like i am in a different unfamiliar dream dimension. There was something of an old timey feel. A western. The locomotive had a lot of wood design on it. I wasn't me and it had no connection to my life now. Feels like I am dreaming someone else's dreams this past month. There is a deeper complexity as well as glitchy static and flickering in the fabric. They strike me as peculiar when I am dreaming and I cant make any sense of it. The nights are long, diverse, fast, and complex. Deeper somehow, further away from my body and my identity here on this egospirit realm.
MELDINGSLOPMELTINGPOT.PLOP...
rainbow iridescentbubbles bursting as fast as they are created...
To see a train of cars moving in your dreams, you will soon have cause to make a journey.
To be on a train and it appears to move smoothly along, though there is no track, denotes that you will be much worried over some affair which will eventually prove a source of profit to you.
To see freight trains in your dreams, is an omen of changes which will tend to your elevation.
To find yourself, in a dream, on top of a sleeping car, denotes you will make a journey with an unpleasant companion, with whom you will spend money and time that could be used in a more profitable and congenial way, and whom you will seek to avoid.
To see a train in your dream, represents conformity. You are just going along with what everyone else is doing. Alternatively, a train means that you are very methodical. You need to lay things out specifically and do things in an orderly and sequential manner. In particular, if you see a freight train, then it refers to the burdens and problems that you are hauling around. It is also symbolic of manual labor. If you see a passenger train, then it relates to mental work. If you see or play with a model train in your dream, then it indicates that you want more control and power over your own life and where it is headed. Dreaming of trains may also be a metaphor that you are "in training" for some event, job or goal. According to Freud, a train is analogous to the male penis.
To dream that you are on a train, symbolizes your life's journey. It suggests that you are on the right track in life and headed in the right direction. Alternatively, the dream means that you have a tendency to worry needlessly over a situation that will work out in the end.
To see or dream that you are in a train wreck, suggests chaos. The path to your goals are not going according to the way you planned it out. You are lacking self-confidence and having doubt in your ability to reach your goals.
To dream that you are the engineer, signifies that you are in complete control of a particular situation in your waking life.
To dream that you miss a train, denotes missed opportunities. It also suggests that you are ill-prepared for a new phase in your life. You may be procrastinating or putting things off that should have already been completed.
Seeing a train in your dream, represents conformity and go along with what everyone else is doing. You have the need to do things in an orderly and sequential manner. In particular, if you see a freight train, then it refers to the burdens and problems that you are hauling around. Dreaming that you are on a train, is symbolic of your life's journey and suggests that you are on the right track in life and headed for the right direction. Alternatively, you have a tendency to worry needlessly over a situation that will prove to work out in the end. Seeing or dreaming that you are in a train wreck, suggests chaos. The path to goals are not going according to the way you planned it out. Or you may be lacking self-confidence and having doubt in your ability to reach your goals. Dreaming that you are the engineer means that you are in complete control of a particular situation in your waking life. Dreaming that you miss a train indicates missed opportunities or nearly escaping your death.
This dream symbol can be very complicated and its meaning is specific to the dreamer. If you normally take the train to work and it is a part of your daily experience, closer attention should be paid to the other details of the dream. Going on a train ride may be symbolic of your life's journey. If you are the driver, you may be reassuring yourself in the dream state that you are in control of a specific situation or life in general. The train could also be symbolic of your need to move on and to do things in an orderly and sequential manner.
To dream that you are standing at the edge of a cliff, indicates that you have reached an increased level of understanding, new awareness, and a fresh point of view. You have reached a critical point in your life and cannot risk losing control. Alternatively, it suggests that you are pondering a life-altering decision.
To dream that you or someone falls off a cliff, suggests that you are going through a difficult time and are afraid of what is ahead for you. You fear that you may not be up for the challenge or that you cannot meet the expectations of others.
To dream that you are climbing to the top of a cliff, symbolizes your ambition and drive. The dream may parallel your desires to achieve success and to be the at the top of your profession. It is analogous to climbing the corporate ladder.
Dreaming that you are standing at the edge of a cliff means that you have arrived to an increased level of understanding, new awareness, and a fresh point of view. You may have reached a critical point in your life and may fear losing control.
Standing on the edge of a cliff could be a frightening, but at the same time an exhilarating experience. Dreaming about cliffs generally indicates that the dreamer has come to a point of heightened understanding and awareness. An increase in the level of consciousness may have occurred. Through hard work and perseverance, the dreamer may have reached a vantage or plateau of understanding.
According to Guénon, the Roman pontifex was literally a ‘builder of
bridges’, that is, of that which bridges two separate worlds. St. Bernard has said
that the Roman Pontiff, as the etymology of his name suggests, is a kind of bridge
between God and Man (Tractatus de Moribus et Officio Episcoporum, III, 9). For
this reason, the rainbow is a natural symbol of the pontificate. For the Israelites,
it was the sign of the Covenant between the Creator and his people, and, in China,
the sign denoting the union of heaven and earth. For the Greeks, it was Iris, a
messenger of the gods. And there are a great many cultures where the bridge
symbolizes the link between what can be perceived and what is beyond perception (28). Even when it lacks this mystic sense, the bridge is always symbolic of
a transition from one state to another—of change or the desire for change.
To dream that you are crossing a bridge, signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. If the bridge is over water, then it suggests that your transition will be an emotional one. If you fall off the bridge and into the water, then the dream indicates that you are letting your emotions hold you back and prevent you from moving forward. Alternatively, the bridge may indicate that you are trying to "bridge" or connect two things together.
To dream of a run-down bridge, indicates that you should not contemplate any major changes in your life at this time.
To see a bridge collapse in your dream, implies that you have let an important opportunity pass you by.
To see a long bridge dilapidated, and mysteriously winding into darkness, profound melancholy over the loss of dearest possessions and dismal situations will fall upon you. To the young and those in love, disappointment in the heart's fondest hopes, as the loved one will fall below your ideal.
To cross a bridge safely, a final surmounting of difficulties, though the means seem hardly safe to use. Any obstacle or delay denotes disaster.
To see a bridge give way before you, beware of treachery and false admirers. Affluence comes with clear waters. Sorrowful returns of best efforts are experienced after looking upon or coming in contact with muddy or turbid water in dreams.
Dreaming that you are crossing a bridge means an important decision or a critical junction in your life. This decision will prove to be a positive change with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. Dreaming of a run-down bridge indicates that you should not contemplate any major changes in your life at this time. Dreaming of a bridge collapse indicates that you have let a great opportunity pass you by.
The first consideration should be given to how much you travel. The bridge can be interpreted literally if it is a part of your daily life
On a more theoretical level, bridges can symbolise transitions (e.g. transition from one stage to another, from one level of consciousness to another). Since most bridges are over water (i.e. emotions, unconscious), this dream could also be symbolic of your rising above your emotional difficulties or unconscious drives.
The material out of which the bridge is made can give an idea of the strength of your convictions. A wooden bridge can mean that you need more willpower, while a a bridge of concrete, stone or steel can mean that you have a very strong will.
To feel static in your dream, depicts your magnetic personality and how you are able to draw things to you.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
The different meanings which have been attached to the symbolism of the mountain stem not so much from any inherent multiplicity as from the
various implications of each of its component elements: its height, verticality,
mass and shape. Deriving from the first idea (height) are interpretations such as
that of Teillard, who equates the mountain with inner ‘loftiness’ of spirit (56),
that is, transposing the notion of ascent to the realm of the spirit. In alchemy, on
the other hand, the reference is nearly always to the hollow mountain, the hollow
being a cavern which is the ‘philosophers’ oven’. The vertical axis of the mountain drawn from its peak down to its base links it with the world-axis, and,
anatomically, with the spinal column. Because of its grandiose proportions, the
mountain came to symbolize, for the Chinese, the greatness and generosity of the
Emperor; it is the fourth of the twelve imperial emblems (5). But the profoundest
symbolism is one that imparts a sacred character by uniting the concept of mass,
as an expression of being, with the idea of verticality. As in the case of the cross
or the Cosmic Tree, the location of this mountain is at the ‘Centre’ of the world.
This same profound significance is common to almost all traditions: suffice it to
recall mount Meru of the Hindus, the Haraberezaiti of the Iranians, Tabor of the
Israelites, Himingbjör of the Germanic peoples, to mention only a few. Furthermore, the temple-mountains such as Borobudur, the Mesopotamian ziggurats or
the pre-Columbian teocallis are all built after the pattern of this symbol. Seen
from above, the mountain grows gradually wider, and in this respect it corresponds to the inverted tree whose roots grow up towards heaven while its foliage
points downwards, thereby expressing multiplicity, the universe in expansion,
involution and materialization. This is why Eliade says that ‘the peak of the
cosmic mountain is not only the highest point on earth, it is also the earth’s navel,
the point where creation had its beginning’—the root (18). The mystic sense of
the peak also comes from the fact that it is the point of contact between heaven
and earth, or the centre through which the world-axis passes, binding the three
levels together. It is, incidentally, also the focal point of Inversion—the point of
intersection of the immense St. Andrew’s cross, which expresses the relationship
between the different worlds. Other sacred mountains are Sumeru of the UralAltaic peoples (17) and Caf in Moslem mythology—a huge mountain the base of which is formed by a single emerald called Sakhrat (8). Mount Meru is said to be
of gold and located at the North Pole (8), thus underlining the idea of the Centre
and, in particular, linking it with the Pole Star—the ‘hole’ through which all things
temporal and spatial must pass in order to divest themselves of their worldly
characteristics. This polar mountain is also to be found in other symbolic traditions, always bearing the same symbolism of the world-axis (25); its mythic
characteristics were, in all probability, based upon the fixed position of the Pole
Star. It is also called the ‘white mountain’, in which case it embraces both the
basic mountain-symbolism with all the implications outlined above and that of
the colour white (intelligence and purity). This was the predominating characteristic of Mount Olympus (49), the supreme, celestial mountain which Schneider
sees as corresponding to Jupiter and equivalent to the principle of the number
one. There is another mountain, relevant to the symbolism of the number two,
and that is the mountain of Mars and Janus—that is, as the Gemini; basically,
they represent two different aspects of the same mountain, but blending together
the symbolism of the ‘two worlds’ of Atma and Buddhi, or the two essential,
rhythmic aspects of manifest creation—light and darkness, life and death, immortality and mortality. This mountain has two peaks, in order to give visual expression to its dual or ambivalent meaning. It occurs constantly in traditional, megalithic culture, particularly in the form of a landscape, illustrating yet again the
Protean myth of the Gemini, which bursts out in so many different forms in
primitive thought and art. This mountain is also a form of mandorla consisting of
the intersection of the circle of the heavens with that of the earth, and this
mandorla is, as it were, the crucible of life, containing the opposite poles of life
(good and bad, love and hate, fidelity and treachery, affirmation and negation, the
numbers 2 and 11—both equal to one plus one—and finally construction and
destruction). Incidentally, the animals which correspond to this all-embracing
significance of the mandorla are the whale and the shark (51). In Hindu legend, the
castle of Indra was built on this mountain; whereas in Roman legend it was the
castle of Mars, and the home of the thunderbolt, the two-headed eagle and the
Gemini. It has been called the ‘mountain of stone’ and is at once the abode of the
living (the exterior of the mountain) and of the dead (the hollow interior) (50).
Krappe has borne this out with the observation that ‘The interior of a mountain
has frequently been taken as the location of the Land of the Dead: the derivation
of the Celtic and Irish fairy-hills, and of the legend, widespread in Asia and
Europe, of a demiurge or hero asleep inside a mountain, one day to emerge and
renew all things sublunar’ (35). This myth has obvious connexions with the myth
of Entanglement—of the castle inextricably entangled in a wood and also with the story of the ‘Sleeping Beauty’. All such myths are concerned with the mystery of
a disappearance between appearance and reappearance. Schneider lists the following trades and professions as being associated with Mars: those of the king,
physician, warrior and miner, as well as the martyr (51). In Western tradition, the
mountain-symbol appears in the legend of the Grail, as Montsalvat (the ‘mountain of salvation’ or ‘of health’)—just as much a ‘polar mountain’ as it is a ‘sacred
island’, according to Guénon; but always it is inaccessible or difficult to find (like
the ‘centre’ of the labyrinth) (28). In general, the mountain, the hill and the
mountain-top are all associated with the idea of meditation, spiritual elevation
and the communion of the blessed. In mediaeval emblems, the symbolism of the
‘mountain of salvation’ is further defined by a complementary figure surmounting it, such as the fleur-de-lis, the star, the lunar crescent, the cross, steps, the
crown, the circle, the triangle, or the number three. The letter Z sometimes occurs,
standing for Zion; similarly, an R is short for Regeneratio (4). Some of these
symbols have lent themselves to a poetic treatment that is well worth examination. From the moment when the mountain, so to speak, divests itself of its
terrestrial and material character and becomes the image of an idea, the more
numerous the component elements pertaining to this idea, the greater will be its
clarity and force. Hence, mount Meru of India is considered to have the shape of
a pure, seven-sided pyramid (corresponding to the seven planetary spheres, the
seven essential virtues and the seven Directions of space) and each face has one of
the colours of the rainbow. Seen as a whole, the mountain is a shining white, by
which token it may be equated with the ‘polar mountain’ and the all-embracing
image of totality (also symbolized by the pyramid-symbol), tending towards
Oneness (symbolized by the peak)—to avail ourselves of the concepts of Nicholas of Cusa.
For a young woman to dream of crossing a mountain in company with her cousin and dead brother, who was smiling, denotes she will have a distinctive change in her life for the better, but there are warnings against allurements and deceitfulness of friends. If she becomes exhausted and refuses to go further, she will be slightly disappointed in not gaining quite so exalted a position as was hoped for by her.
If you ascend a mountain in your dreams, and the way is pleasant and verdant, you will rise swiftly to wealth and prominence. If the mountain is rugged, and you fail to reach the top, you may expect reverses in your life, and should strive to overcome all weakness in your nature. To awaken when you are at a dangerous point in ascending, denotes that you will find affairs taking a flattering turn when they appear gloomy.
Seeing mountains in your dream means many major obstacles and challenges that you have to overcome. If you are on top of the mountain, then it means that you have achieved and realized your goals. Alternatively, mountains indicates a higher realm of consciousness, knowledge, and spiritual truth. Dreaming that you are climbing a mountain means your determination and ambition. Dreaming that you fall off a mountain, suggests that you are in a hurry to succeed without thoroughly thinking about your path to success. It also means that you have a tendency to give up or escape from demanding situations.
Climbing a real mountain is not always fun but it usually challenging and rewarding. Some say that the mountain may represent spirituality while others suggest mental development and self-awareness. The most literal interpretation of climbing a mountain is that it represents attainment of goals. If you are ascending a mountain you may be are working hard and trying to accomplish your goals, whether they are spiritual, emotional, or material.
To dream of a locomotive running with great speed, denotes a rapid rise in fortune, and foreign travel. If it is disabled, then many vexations will interfere with business affairs, and anticipated journeys will be laid aside through the want of means.
To see one completely demolished, signifies great distress and loss of property.
To hear one coming, denotes news of a foreign nature.
Business will assume changes that will mean success to all classes.
To hear it whistle, you will be pleased and surprised at the appearance of a friend who has been absent, or an unexpected offer, which means preferment to you.
Dreaming that you are dreaming means your emotional state. You are excessively worried and fearful about a situation or circumstance that you are going through.
It is common to dream that you have had or are having a dream.
You could be experience a false awakening, in which you dream that you have woken up from an earlier dream, and are performing the activities you normally perform on waking, such as getting dressed and brushing your teeth.
Such a dream can be a sign that you have fallen into a rut in waking life.
You may also have a lucid dream, in which you are aware that you are dreaming while you are having the dream.
The meaning of a lucid dream will depend upon the content of the dream.