Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.

To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.

If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.

To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.

To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.

For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.

Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.

All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.

Its significance is diverse, depending upon which of its different characteristics is taken as fundamental. In the Egyptian system of hieroglyphs, the
wall is a determinative sign conveying the idea of ‘rising above the common level’
(19); clearly the predominant sense here is that of its height. A wall enclosing a
space is the ‘wall of lamentations’, symbolic of the sensation of the world as a
‘cavern’—of the doctrine of immanentism or the metaphysical notion of the
impossibility of reaching the outside. It expresses the ideas of impotence, delay,
resistance, or a limiting situation. Now, the wall seen from within as an enclosure
has a secondary implication of protection which, according to its function and the
attitude of the individual, may even be taken as its principal meaning. Psychoanalysts frequently regard it in this light and hence have classified it as a mothersymbol, comparable with the town and the house or home (56). Bayley sums up the two essential features of the wall as follows: Like the house, it is a mystic
symbol representing the feminine element of mankind. This enables us to understand the (otherwise absurd) assertion of the Shulamite in the Song of Songs: ‘I
am a wall’. At the same time, this image has another term of comparison, that of
matter as opposed to spirit (4). It should be noted that the symbolism in the latter
case remains unchanged, since matter corresponds to the passive or feminine
principle, and spirit to the active or masculine.

To see your daughter in your dream, represents your waking relationship with your daughter and the qualities that she projects. If you do not have a daughter, then it symbolizes the feminine aspect within yourself.

To dream of your daughter, signifies that many displeasing incidents will give way to pleasure and harmony. If in the dream, she fails to meet your wishes, through any cause, you will suffer vexation and discontent.

Seeing your daughter in your dream, represents your waking relationship with your daughter and the qualities that she projects. If you do not have a daughter, then it symbolizes the feminine aspect within yourself.

A daughter in a dream can represent your future.

If your daughter disobeys you in your dream, you could be worried about your own future.

In your dream, your daughter can represent yourself. For example, if your daughter is ill, you may be feeling troubled in waking life.

Seeing a girl in your dream, represents your playful, innocent, and childlike nature. Perhaps you have been behaving prematurely. Dreaming about a girl that you just met, represents your anxieties and thoughts of whether you had made a good impression on her and what she thought of you. If she told you that she disliked you in the dream, then it may be an excuse for you to dismiss her and not pursue a relationship that is beyond friendship. For a man to dream that he is a girl means that he aspires to be an actor and play female parts.

Stone is a symbol of being, of cohesion and harmonious reconciliation
with self. The hardness and durability of stone have always impressed men,
suggesting to them the antithesis to biological things subject to the laws of change,
decay and death, as well as the antithesis to dust, sand and stone splinters, as
aspects of disintegration. The stone when whole symbolized unity and strength;
when shattered it signified dismemberment, psychic disintegration, infirmity,
death and annihilation. Stones fallen from heaven served to explain the origin of
life. In volcanic eruptions, air turned to fire, fire became ‘water’ and ‘water’
changed to stone; hence stone constitutes the first solid form of the creative
rhythm (51)—the sculpture of essential movement, and the petrified music of creation (50). The mythic and religious significance is only one step removed
from this basic symbolic sense, a step which was taken by the immense majority
of peoples during the animistic era. Meteorites, in particular, came in for worship; the most celebrated are the Kaaba meteorite in Mecca and the Black Stone
of Pessinus, an aniconic image of the Phrygian Great Mother taken to Rome
during the last of the Punic Wars (17). Here is a description of the Mohammedans’ stone, taken from Marques-Rivière: ‘Inside the Kaaba, which is nothing
more than a dark hall, there are three columns holding up the roof which has a
number of silver and gold lamps hanging down from it. The floor is of marble tiles.
In the eastern corner, some five feet above floor-level, not far from the door, is the
famous black stone (al hadjar alaswad) sealed off, composed of three great
sections. . . . In colour it is reddish black with red and yellow patches; in appearance it recalls lava or basalt’ (39). Among the stones venerated by the ancients, we
must not overlook the Greek omphaloi; Guénon maintains that they are really
bethels, a word derived from the Hebrew Beith-El (or the House of God), related
to the biblical ‘And this stone which I have set for a pillar, shall be God’s House’
(Genesis xxviii, 22), even though its sense is magic and not architectonic (28).
There are numerous legends dealing with stones: the so-called Abadir which
Saturn devoured, mistaking it for Jupiter; or the stones of Deucalion and Pyrrha;
or those in the myth of Medusa the Gorgon (6); or that which contained Mithras
until his birth (11). There are other stones in folktales, but these seem to be
invested with rather more modest powers: the Lapis lineus, for example, as it was
called by the Romans, which was supposed to be able to prophesy by changing
its colour; or the Irish stone Lia-Fail, associated with coronations (8). As for the
philosophers’ stone in alchemy, it represents the ‘conjunction’ of opposites, or
the integration of the conscious self with the feminine or unconscious side (or in
other words, the fixing of volatile elements); it is, then, a symbol of the All (33).
As Jung rightly says, the alchemists approached their task obliquely—they did
not seek the divine in matter but tried to ‘produce’ it by means of a lengthy
process of purification and transmutation (32). According to Evola, the touchstone is symbolic of the body, since it is ‘fixed’, as opposed to the ‘wandering’
characteristic of thought, the spirits and desires. But only the resuscitated body—
in which ‘two will be one’—can correspond to the philosophers’ stone. Evola
points out that, for the alchemist, ‘between eternal birth, reintegration, and the
discovery of the philosophers’ stone, there is no difference whatsoever’.

To see stones in your dreams, foretells numberless perplexities and failures.

To walk among rocks, or stones, omens that an uneven and rough pathway will be yours for at least a while.

To make deals in ore-bearing rock lands, you will be successful in business after many lines have been tried. If you fail to profit by the deal, you will have disappointments. If anxiety is greatly felt in closing the trade, you will succeed in buying or selling something that will prove profitable to you.

Small stones or pebbles, implies that little worries and vexations will irritate you.

If you throw a stone, you will have cause to admonish a person.

If you design to throw a pebble or stone at some belligerent person, it denotes that some evil feared by you will pass because of your untiring attention to right principles.

Seeing stones in your dream, symbolizes strength, unity, and unyielding beliefs. Consider the common phrase "etched in stone" which suggest permanence and unchanging attitudes. Some stones also carry sacred and magical meanings. Alternatively, stones may relate to issues of moral judgment and/or guilt. Dreaming that you are carrying a bag of stones, refers to your inner strength and fortitude that you have yet to unleash and reveal to others. Seeing rough stones in your dream, represents your quest in recognizing and developing your self-identity. Part of this quest is to become aware of your unconscious and suppressed thoughts. For various cultures, stones have spiritual significance. Consider the Black Stone of Mecca which is believed by Muslims to allow for direct communication with God. For the Irish, the Blarney Stone is seen as a gift of eloquence.

Dreams about falling are very common anxiety dreams that can represent underlying fears and feelings of inadequacy and helplessness. Interpret your dream by considering your primary fears, current difficulties, and situations in your life that seem to be on a downward spiral, especially those situations that seem outside of your control (financial, romantic, etc.). Some people believe that if you keep falling in your dream and don't wake up that you will die at the point of impact. This is absolutely not true. In a falling dream you wake up out of fear and not because of danger of dying.

You could be falling from anywhere, a high rise building, from a mountain, from a plane, or even from your bed.

This is a very common dream, and is sometimes accompanied by muscle jerks, which may jolt you, awake.

The dream can occur due to:

* The posture of a limb dangling off the bed
* Lowering of your blood pressure
* Movement of fluid in the middle ear

After the fall, you may be hurt, you may be unharmed, or you wake up before you hit the ground.

At an emotional level the dream probably signifies a fear of fall from position/moral/ethical values, sexual inadequacy, fear of losing your job, the way your dream ends tells you how you would handle such a situation.

One interesting theory of a falling dream goes way back when man made his house on trees?

Recurring falling dreams could mean that your emotional strength is not at an optimum level. Trying to relax, by listening to music , visualizing tranquil scenes, can help you avoid falling dreams.

The father-image, closely linked with the symbolism of the masculine
principle, corresponds to consciousness as opposed to the maternal implications
of the unconscious. The symbolic representation of the father is based upon the
Elements of air and fire, and also heaven, light, thunderbolts and weapons (56).
Just as heroism is a spiritual activity proper to the son, so dominion is the power
peculiar to the father (17). Because of this, and also because he stands for the
force of tradition (32), he represents the world of moral commandments and
prohibitions restraining the forces of the instincts (31) and subversion.

To see your father in your dream, symbolizes authority and protection. It suggests that you need to be more self-reliant. Consider also your waking relationship with your father and how aspects of his character may be incorporated within yourself.

To dream that your father is dead, forewarns that you need to proceed with caution in conducting your business.

To dream that you are hitting your father, represents a desperate need for greater closeness with your father. You feel that he is not listening to you. In particular, if you are hitting your father with a rubber object, indicates that whatever you are doing or telling him has no significant effect on him. Things just literally bounces off him.

To dream of your father, signifies that you are about to be involved in a difficulty, and you will need wise counsel if you extricate yourself therefrom.

If he is dead, it denotes that your business is pulling heavily, and you will have to use caution in conducting it.

For a young woman to dream of her dead father, portends that her lover will, or is, playing her false.

Father loves you. If the father is dead, it shows a sign of affliction.

Seeing your father in your dream, symbolizes authority and protection. It suggests that you need to be more self-reliant. Consider also your waking relationship with your father. Dreaming that your father is dead, forewarns that you need to proceed with caution in conducting your business. Dreaming that you are hitting your father. represents a desperate need for greater closeness with your father. You feel that he is not listening to you. In particular, if you are hitting your father with a rubber object indicates that whatever you are doing or telling him has no significant effect on him. Things just literally bounces off him.

Dreams with fathers in them can be looked at on several different levels. You may be dreaming about your father and expressing your feelings about him in a safe way. Traditionally, a father dream can be seen as symbolizing authority and power. In the dream you may be expressing your attitude about strengths and weaknesses as they relate to your position in life and your general attitude toward society. Your father dying in a dream can represent your taking on more responsibility or power. The image of the father could also represent the "collective consciousness," the traditional spirit, and the yang.