(A brief disclaimer; I write my dreams into a dream journal on my iPod as soon as I wake up to prevent my mind from over analyzing and fictionalizing the dreams more than necessary to retain information. Therefore; the way I write them down is very non-linear, or sometimes just completely backwards. All my writing in parenthesis will be done after the initial documentation of the dream and will be there just to better clarify what was written. I'm not trying to create great stories and be grammatically correct in my dream documentation as a lot of my dreams are in non-earth languages and so difficult in the first place to process. Nevertheless, welcome to my dreams)
I went and I died and time was very different. I got an introduction to just how things work on the other side. It's beautiful the way it's done, and its constantly there for anyone who wants to go. Simple prerequisite is having to leave the body. This can be done in a myriad of fashions. Tonight's method was death jumping.
Upon dying, or at least allowing my body to die, I was able to step into it and it was free out there. I was able to jump into other bodies that I could choose for myself although I had no need for (my) seraphim (construct) at that point. I'd imagine it could come in handy sometimes.
I was able to go back to my body or just be light (although my body at that point was a light body, I was able to travel as an individual photon very rapidly if I wanted). It's all inside us all. I want to show others... But need to learn more first.
I was able to see my family (after I died, they were mourning their loss of me in their fashion) and even bring them pizza (I heard one of the members of my family say they wanted my favorite pizza so I manifested into a body outside their house with a pizza in hand, rang the doorbell, and gave it to them).
Then I ended up searching for demons out there (in the dead/astral space) but only found succubus (who happened to have no mal-intent so I left them be, despite them ravaging a friend who came with in search for the demons). That's all right though, they seemed friendly enough. I ended (finding my own space and) drawing, thinking back to here (Earth) about the story I have yet to write.
In all things. Selah. I love Yall
One of the first things I did (upon reaching a purgatory-esque area with plenty of bureaucratic employees facilitating all the death transitions) was show perspective alteration to one of the workers up there. It was awesome (she was initially trying to show me that I could alter the space by altering my perspective, something I've done in my lucid dreaming for some time now and so when I showed her what I could do, she was quite impressed by the reality manipulation). Just a p.s.
(There was also a long period of time in which I was getting used to my new light body and went on a collaborative adventure with others in that space, but I didn't write the details, although it remains fairly clear due to the level of lucidity through the process.
Also, I remember my death in the dream leading to the above dream. I was driving in a car and knew a bomb was being dropped, and instead of trying to avoid it, I let my body die, and made the transition into the purgatory-esque world.)
Symbolically, death represents the end of an epoch, particularly when
it takes the form of sacrifice or the desire for self-destruction in the face of
unendurable tension (as with Romeo and Juliet, or Tristan and Isolde). The hero
dies young for this same reason: Siegfried, Achilles or Balder for example. The
public necessity for a sacrifice of this kind was what lay behind the ‘ritual
assassination of the king’ in which the possibility of his survival was sometimes
left open, should he prove victor in combat. As an example of this rite, Frazer
cites a festival called ‘The Great Sacrifice’ in which the king of Calicut was made
to hazard his crown and his life. It took place every twelve years, at the time the
planet Jupiter turns back towards the constellation of Cancer, since there was a
supposed relationship between the planet and the king’s destiny (21).
To dream about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what you like about them. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, the dream indicates that whatever that person represents has no part in your own life anymore. In particular, to dream about the death of your parents, indicates that you are undergoing a significant change in your waking life. Your relationship with your parents has evolved into a new realm.
To dream that you are faking your own death, suggests that you are looking for a new start. You need some change in your life.
To dream that you die in your dream, symbolizes inner changes, transformation, self-discovery and positive development that is happening within you or your life. You are undergoing a transitional phase and are becoming more enlightened or spiritual. Although such a dream may bring about feelings of fear and anxiety, it is no cause for alarm as it is often considered a positive symbol. Dreams of experiencing your own death usually means that big changes are ahead for you. You are moving on to new beginnings and leaving the past behind. These changes does not necessarily imply a negative turn of events. Metaphorically, dying can be seen as an end or a termination to your old ways and habits. So, dying does not always mean a physical death, but an ending of something.
On a negative note, to dream that you die may represent involvement in deeply painful relationships or unhealthy, destructive behaviors. You may feeling depressed or feel strangled by a situation or person in your waking life. Perhaps your mind is preoccupied with someone who is terminally ill or dying. Alternatively, you may be trying to get out of some obligation, responsibility or other situation. You are desperately trying to escape from the demands of your daily life.
To see someone dying in your dream, signifies that your feelings for that person are dead or that a significant change/loss is occurring in your relationship with that person. Alternatively, you may want to repress that aspect of yourself that is represented by the dying person.
To dream of seeing any of your people dead, warns you of coming dissolution or sorrow. Disappointments always follow dreams of this nature.
To hear of any friend or relative being dead, you will soon have bad news from some of them.
Dreams relating to death or dying, unless they are due to spiritual causes, are misleading and very confusing to the novice in dream lore when he attempts to interpret them. A man who thinks intensely fills his aura with thought or subjective images active with the passions that gave them birth; by thinking and acting on other lines, he may supplant these images with others possessed of a different form and nature. In his dreams he may see these images dying, dead or their burial, and mistake them for friends or enemies. In this way he may, while asleep, see himself or a relative die, when in reality he has been warned that some good thought or deed is to be supplanted by an evil one. To illustrate: If it is a dear friend or relative whom he sees in the agony of death, he is warned against immoral or other improper thought and action, but if it is an enemy or some repulsive object dismantled in death, he may overcome his evil ways and thus give himself or friends cause for joy. Often the end or beginning of suspense or trials are foretold by dreams of this nature. They also frequently occur when the dreamer is controlled by imaginary states of evil or good. A man in that state is not himself, but is what the dominating influences make him. He may be warned of approaching conditions or his extrication from the same. In our dreams we are closer to our real self than in waking life. The hideous or pleasing incidents seen and heard about us in our dreams are all of our own making, they reflect the true state of our soul and body, and we cannot flee from them unless we drive them out of our being by the use of good thoughts and deeds, by the power of the spirit within us.
This indicates long life. But a sick person dreaming of death has the positive results.
Dreaming about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what do you like about him. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, it indicates that whatever that person represents has no part in your own life.
Dreaming about death is very common and it can be interpreted in many different ways. Death is usually a symbol of some type of closure or end. It implies an end to one thing and a beginning of another. Death dreams usually have positive symbolism. If you are the dead person in your dream, it could imply that you would like to leave all of your worries and struggles behind and begin anew. Dreaming about someone that you care about may express your fear about losing them. Dreaming that one of your parents died may express fear of loss, but it also may be an unconscious valve through which you release anger and other negative feelings. In some cultures dreaming about death and dying is a very good omen that represents longevity and prosperity.
Astrological Sign: Scorpio.
Positive associations with this tarot card:
endings, transformation, clearance, sweeping change.
Negative associations with this tarot card:
stagnation, loss of opportunity, loss of friendship, fear of change.
Without a doubt it is this card that causes most fear in a reading and yet it rarely, if ever, symbolizes actual death, more a time of absolute endings and absolute beginnings.
Whilst The Death card can represent rather shocking or unexpected events or changes, they usually clear the way for a brand new start and a greater value for life itself.
Out with the old and in with the new, a time of transformation is another way of looking at this card.
Negatively there isn't much difference, other than you may have a greater sense of fear and dread. when this card appears it's time to show what you're made of.
Another negative aspect of The Death card is stagnation, resisiting change when change is essential which may lead to lost opportunities.
(or daemon, daimon from Greek: δαίμων daimōn) In religion, folklore, and mythology a supernatural being that is generally described as a malevolent spirit. In Christian terms demons are generally understood as fallen angels, formerly of G-d. A demon is frequently depicted as a force that may be conjured and insecurely controlled. The "good" demon in recent use is largely a literary device, though references to good demons can be found in Hesiod and Shakespeare.
Demons as described in the Tanakh are the same as "demons" commonly known in popular culture.
Those in the Hebrew Bible are of two classes, the se'irim and the shedim. The se'irim ("hairy beings"), to which some Israelites offered sacrifices in the open fields, are satyr-like creatures, described as dancing in the wilderness , and which are identical with the jinn, such as Dantalion, the 71st spirit of Solomon. (But compare the completely European woodwose.) Possibly to the same class belongs Azazel, the goat-like demons of the wilderness, probably the chief of the se'irim, and Lilith . Possibly "the roes and hinds of the field", by which Shulamit conjures the daughters of Jerusalem to bring her back to her lover, are faunlike spirits similar to the se'irim, though of a harmless nature.
The evil spirit that troubled Saul (I Samuel 16:14 et seq.) may have been a demon, though the Masoretic text tells us that the spirit was sent by God.
Some benevolent shedim were used in kabbalistic ceremonies (as with the golem of Rabbi Yehuda Loevy), and malevolent shedim (mazikin, from the root meaning to damage) are often responsible in instances of possession. Instances of idol worship were often the result of a shed inhabiting an otherwise worthless statue; the shed would pretend to be a God with the power to send pestilence, although such events were not actually under his control.
Rabbinical demonology has three classes of, demons, though they are scarcely separable one from another. There were the shedim, the mazziḳim ("harmers"), and the ruḥin ("spirits"). Besides these there were lilin ("night spirits"), ṭelane ("shade", or "evening spirits"), ṭiharire ("midday spirits"), and ẓafrire ("morning spirits"), as well as the "demons that bring famine" and "such as cause storm and earthquake"
To see a succubus in your dream, signifies unconscious sexual desires. The dream may also indicate jealousy.
Dreams of the astral, denote that your efforts and plans will culminate in worldly success and distinction. A spectre or picture of your astral self brings heart-rending tribulation.
To dream that you are dreaming, signifies your emotional state. You are excessively worried and fearful about a situation or circumstance that you are going through.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
Light, traditionally, is equated with the spirit (9). Ely Star asserts that
the superiority of the spirit is immediately recognizable by its luminous intensity. Light is the manifestation of morality, of the intellect and the seven virtues
(54). Its whiteness alludes to just such a synthesis of the All. Light of any given
colour possesses a symbolism corresponding to that colour, plus the significance
of emanation from the ‘Centre’, for light is also the creative force, cosmic energy irradiation (57). Symbolically, illumination comes from the East. Psychologically
speaking, to become illuminated is to become aware of a source of light, and, in
consequence, of spiritual strength (32).
To see light in your dream, represents illumination, clarity, guidance, plain understanding, and insight. Light is being shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Also consider the color of the light for additional significance.
If the light is particularly bright, then it indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.
To see soft or shadowy lighting in your dreams, indicates feelings and thoughts from the primal aspects and less developed parts of your unconscious.
To dream that you cannot turn on the light, indicates a lack of insight and perspective on a situation.
If you dream of light, success will attend you. To dream of weird light, or if the light goes out, you will be disagreeably surprised by some undertaking resulting in nothing.
To see a dim light, indicates partial success.
To dream of lights is very good. It denotes riches and honour.
Seeing light in your dream indicates a clear mind, plain understanding, and insight. Light has been shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Seeing a bright light in your dream indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.