Long ago there was a war. The tribes of the Old World would make weapons and tools that would conquer nature and make her their slave. But this was never enough; it is man's nature to dominate and so he sought to make a slave of his fellow man. The tribes would fight on the decaying corpse of mother nature until man's destructive habits drove the tribes to open the sky and pour fire onto the Earth, destroying everything.
Man was an animal once again.
The ruins of the Old World was a decrepit alien presence, haunted by the ghosts of a million dead warriors. Life would never again grow there, and all animals avoided them. Only the foolish and the brave dared to venture into the ruins and would return with terrifying stories of metal giants that turned warriors to ashes and the whisper of madness that made even the wisest elder into a savage cannibal.
Travelers from the Old World ruins would come to me, sick and vomiting. Their hair fell out and they would stare up at me with desperate eyes, pleading "help me". There was nothing I could do. They would suffer for days as their bodies fell apart before letting out that unearthly screech, articulating their last painful moments of life.
This was a sign that the Gods did not want us to return to the ruins of the Old World. They wanted man to stay united to the reborn child of Mother Nature. I never blamed them; they did not want us to remember how evil we once were. The metal giants guarded the Old World fiercely, protecting its secrets from the warriors that sought the power to conquer other tribes. I sought power from them, too. But my cause was pure.
I never wanted any other man to watch helplessly as death claimed his loved ones, my loved one. I sought not to elevate my tribe or to conquer the other tribes. I was a medicine man, it was not in my nature to fight man; it was in my nature to fight death.
The great metal giants had many powers. I wondered if the power to cure all pestilence and sickness was among them. I would not want their power to fight the other tribes, only the power to keep them from dying.
I watched the ruins in the distance with a longing in my heart. As I stepped closer and closer to the ominous jagged buildings, I felt a tingling fear tremble through me. There were no plants or animals here, only sand, ashes, stone and death. Then I saw a giant.
He was twice the size of any warrior and his metal body moaned as he walked. His hollow eyes emitted a faint red glow. He pointed his weapon at me and I held my hands up.
He spoke in a dark demon's voice in an ancient language.
"I am a medicine man," I told him "I seek the power to heal the sick. With your permission, I may use it only for that noble cause."
"All people who seek us out only seek to slay us and take our power to kill," he said "They understand not what we are or what we protect. No person has ever come to us to learn how to help human kind, only how to hurt humankind."
"Will you help me?" I pleaded, my arms still up.
"I can not. I am a weapon of war. A ghost of the civilization that created me, repurposed to keep the events that nearly ended all surface life on Earth from ever happening again."
"Does the Old World hold any secrets of medicine?"
"None that you might understand, medicine man. Leave now."
I was not going to object. I turned and left the dusty ruins, disappointed.
The Old World would leave behind only it's metal dogs of war. Whatever healing powers I might have found there have been ereased in time or buried deep under the ash and sand.
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
Symbolically, the world is the realm in which a state of existence is
unfolded (25), comprising many component parts adhering together. Used in the
plural, the term pertains, in a sense, to space-symbolism, but the ‘worlds’ are
really only different modes of the spirit (26). The explanation of the cosmic and
moral significance of the three worlds (the infernal, the terrestrial and the celestial) is to be sought in the symbolism of level. The inferior must not always be
equated with the subterranean, for, in megalithic cultures, the latter was usually
located high up, or in the hollow interior of mountains (conceived as the dwellingplace of the dead). Guénon has pointed out that references to the ‘subterranean
world’ are found in a large number of cultural traditions, in which the ‘cult of the
cavern’ or cave is linked with that of the ‘centre’. One must also bear in mind the
equation of the cavern with the cave of the heart, the latter being considered as the
Centre of being or the Egg of the World (28).
To dream that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation.
To dream that you are saving the world, signifies confidence in your abilities and belief in yourself. You have a positive perspective on life and in where you are headed. Don't let someone or something prevent you from progressing forward or question your abilities.
Dreaming that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation. Dreaming that you are saving the world means confidence in your abilities and belief in yourself. You do not let others question your intelligence or your abilities and generally have a good perspective on life and what your goals are. Don't let someone or something prevent you from progressing forward.
Planet: Saturn.
Positive associations with this tarot card:
fulfillment, completion, satisfaction, joy, wholeness, success.
Negative associations with this tarot card:
stagnation, lack of will, impatience, delays.
The World heralds the arrival of your heart's desire, whatever that may be, a time of achievement, recognition, success and triumph.
This card signals a time of enjoyment, of holidays and travel, time with loved ones, a fulfilling relationship is on offer and spoiling yourself with the material things you've been wanting.
The World also marks the end of one cycle and the beginning of another.
Negatively, The World points toward delays and that you may still need to overcome some challenges before you suceed, so don't give up so close to the finish line.
Don't be lacking in vision or feel insecure, success will soon be yours.
The symbolism of power has been subjected to an extensive study by
Percy Ernst Schramm in his Herrschaftszeichen und Staatssymbolik (Stuttgart,
1954). Power, as a symbol, represents irradiating force, but it is only latterly that
it has acquired this significance, for in totemistic and primitive times it was
generally understood more in the sense of an image of the forces of nature (and of
the animal world in particular) than as an expression of abstract or temporal
dominion. Hence, the principal attributes of a superior power are simply magnified versions of totemic emblems or of adornments derived from them, such as
necklaces of teeth and claws, hides, head-dresses, horns, and various kinds of
standards exhibiting these objects. It was probably with the dawning of the solar
cult that the diadem—the original form of the crown—came to be adopted as
another attribute of power. The immediate effect of the assumption of power upon the body and the attitude of mind is to confer impassivity, indifference—
either real or affected—and serenity and, equally, a tendency to ‘swell with
pride’. Hence the fascination of the hieratic gesture and its use on solemn occasions. Dynamic movements such as stretching out the arms or nodding or turning
the head may also be executed in a rhythm suggestive of hieratic strength and
calm. Ancient art gave expression to a basically similar attitude towards the
powers of the world. Height above ground-level, and the situation of a particular
symbolic element at the centre of a symmetrical pattern—the Greek Potne Theron
for instance—are further illustrations of power-symbolism, deriving from the
symbolisms of level and of the ‘Centre’. Differentiated expressions of power give
rise to the king, the priest and the military leader, each one characterized by his
respective attributes. The synthesis of power is denoted by ternary symbols
such as the triple crown. Certain other symbols embracing the threefold power,
such as the trident, are generally reckoned to pertain to the infernal regions, but
this has come about rather through the influence of traditional, mythological ideas
than by true symbolic logic. Magic power—a corrupt form of religious power—
is symbolized by the wand and sometimes by the sword. There are also certain
other objects linked with the idea of power, but they are attributes or instruments
rather than symbols proper.
Of great interest is the complex symbolic system behind the emblems of the
Egyptian pharaoh. The double crown denotes Upper and Lower Egypt, but it
also expresses the ideas of the masculine and feminine principles, and of heaven
and earth. Sceptres—straight (the lash) and curved (the crook)—are probably
attributes of cattle-raising and of agriculture respectively; yet at the same time
they denote the straight path (or the solar, diurnal, logical course) and the crooked
path (the lunar, nocturnal and intuitive). The Uraeus beyond doubt symbolizes
the sublimated serpent—raised, that is to say, in height (the kundalini), so as to
become a symbol of strength transformed into spirit or an aspect of power. In
itself, the idea of power embraces the notions of extreme self-awareness and
integrity, defensive concentration of forces, appropriation and domination of the
environment, and effulgence. Hence, to take these ideas in turn, the symbols of
power are names, seals, marks, standards and signs; masks, helmets, head-dresses,
swords and shields; sceptres, crowns, pallia and palaces; and effulgence is expressed by gold and precious stones. Domination also finds expression in such
forms of the quaternary as four-headed sceptres, hermae or thrones alluding to
the cardinal points. The crown, in its most highly developed form, embraces the
diadem or circle and the hemisphere or image of the vault of heavens; and sometimes it denotes the four points of the compass—or suggests them by means of four bands which rise up from the diadem to meet higher up, in the middle,
surmounted by another symbolic motif. The idea of royalty is, of course, linked
with sun-symbolism, and therefore the animals associated with it are such as the
eagle and the lion, and on occasion the dragon. Once Christianity had become the
official religion of the Roman Empire, various Christian symbols of sublimation
accrue to the symbolism of power, notably the crucifix and the fleur-de-lis. The
latter symbol is found in Byzantium, whence it reached Central Europe, Germany, France and the Western world by the 1st millennium A.D.
To dream that you have power, indicates your growing confidence, high self-esteem and increasing skills. Alternatively, your dream of power may try to compensate for a waking situation where you felt powerless.
To dream that you do not have any power, refers to a waking situation in which you felt unable to do anything.
Dreaming that you have power indicates your growing confidence, high self-esteem and increasing skills. Alternatively, your dream of power may try to compensate for a waking situation in which you were powerless. Dreaming that you do not have any power or feel powerless, refers to a waking situation in which you felt unable to do anything.
To dream that you are taking medicine, represents a period of emotional and/or spiritual healing. It also indicates that the troubles you are experiencing are only temporary. Things will work out in the long run.
To dream that you are giving medicine to someone, indicates that you are trying to take advantage of a situation or of someone. If you are given the wrong medication, then you are being manipulated. Someone is trying to take advantage of you.
To dream of medicine, if pleasant to the taste, a trouble will come to you, but in a short time it will work for your good; but if you take disgusting medicine, you will suffer a protracted illness or some deep sorrow or loss will overcome you.
To give medicine to others, denotes that you will work to injure some one who trusted you.
Dreaming that you are giving medicine to others means that you will conspire to harm someone who trust you. Dreaming that you are taking medicine, represents a period of emotional and/or spiritual healing. It also indicates that the troubles you are experiencing are only temporary and will prove to be for the best in the long run,
The 12th-century writer Alan of Lille, in his De planctu naturae,
describes Nature as an allegorical figure wearing a diadem set with jewels in
imitation of the stars: twelve stones symbolize the signs of the Zodiac and seven
stand for the Sun, the Moon and the five planets (14). This concept is wholly
astrobiological in character, since it partakes of the tendency to bring the discipline of numbers to bear upon living things, and to infuse the astral, the mineral
and the abstract with the vital forces of plant and animal life.
To dream of nature, denotes freedom, tranquility, restoration, and renewal. You are utilizing your instinctual nature.
Dreaming of nature indicates freedom, tranquility, restoration, and renewal. It may represent that your internal instincts are experienced and expressed.
The symbolic sense of ruins is self-evident and derived directly from
the literal sense: they signify desolation and life defunct. They are tantamount to
sentiments, ideas or bonds which are no longer animated by the breath of life but
which nevertheless persist shorn of any use or function relevant to thought and
existence, but saturated with the past and redolent with a sense of the destruction
of its reality wrought by the passage of time. Ruins are symbolically equivalent
to biological mutilation.
To see ruins in your dream, suggest that you are neglecting aspects of your life or that it is falling apart. You feel you are self-destructing. It is time to get on the right path.
To dream of ruins, signifies broken engagements to lovers, distressing conditions in business, destruction to crops, and failing health.
To dream of ancient ruins, foretells that you will travel extensively, but there will be a note of sadness mixed with the pleasure in the realization of a long-cherished hope. You will feel the absence of some friend.
To see metal in your dream, signifies strength and character. It may also symbolize the inhumane side of society. Consider the exact type and shape of metal and what you are doing with it. In particular, if the metal is solid, then it represents your libido and sexual desire.
Seeing metal in your dream means strength and character. It may also symbolize the inhumane side of society.
All combats are the expression of a conflict of some sort. A great many
fights, dances and simulacra are rites, or the vestiges of rites, which express
situations of conflict. In Sweden, according to Eliade, combats are enacted on
horseback by two sets of riders personifying winter and summer. Usener ascribed
a similar meaning to the combat between Xanthos and Melanthos—the fair one
and the dark one. On the other hand, the struggle may correspond to the primordial, cosmogonic sacrifice, such as the sacrifice of Tiamat (or Tiawath) by Marduk.
Struggles between the gods of vegetation and of drought (such as Osiris and Set)
or between good and evil (Ahuramazda and Ahriman or Angramainyu, for example) modify the plane of conflict accordingly. Broadly speaking, the struggle is
that of generation or involves antithetically opposed elements (17). For our part,
we would suggest that the combats of Roman gladiators reflected an ancestral,
mythic and symbolic background with the retiarius (or net-fighter) as the counterpart of Neptune and Pisces (symbolic of the celestial ocean, and the all-embracing god armed with the trident, as a sign of triple power, and with the net);
likewise, the mirmillo was Cancer (the sun, or the son armed with a sword).
To dream that you engage in a fight, denotes that you will have unpleasant encounters with your business opponents, and law suits threaten you.
To see fighting, denotes that you are squandering your time and money.
For women, this dream is a warning against slander and gossip.
For a young woman to see her lover fighting, is a sign of his unworthiness.
To dream that you are defeated in a fight, signifies that you will lose your right to property.
To whip your assailant, denotes that you will, by courage and perseverance, win honor and wealth in spite of opposition.
To dream that you see two men fighting with pistols, denotes many worries and perplexities, while no real loss is involved in the dream, yet but small profit is predicted and some unpleasantness is denoted.
To dream that you are on your way home and negroes attack you with razors, you will be disappointed in your business, you will be much vexed with servants, and home associations will be unpleasant.
To dream that you are fighting negroes, you will be annoyed by them or by some one of low character.
Symbolically, death represents the end of an epoch, particularly when
it takes the form of sacrifice or the desire for self-destruction in the face of
unendurable tension (as with Romeo and Juliet, or Tristan and Isolde). The hero
dies young for this same reason: Siegfried, Achilles or Balder for example. The
public necessity for a sacrifice of this kind was what lay behind the ‘ritual
assassination of the king’ in which the possibility of his survival was sometimes
left open, should he prove victor in combat. As an example of this rite, Frazer
cites a festival called ‘The Great Sacrifice’ in which the king of Calicut was made
to hazard his crown and his life. It took place every twelve years, at the time the
planet Jupiter turns back towards the constellation of Cancer, since there was a
supposed relationship between the planet and the king’s destiny (21).
To dream about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what you like about them. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, the dream indicates that whatever that person represents has no part in your own life anymore. In particular, to dream about the death of your parents, indicates that you are undergoing a significant change in your waking life. Your relationship with your parents has evolved into a new realm.
To dream that you are faking your own death, suggests that you are looking for a new start. You need some change in your life.
To dream that you die in your dream, symbolizes inner changes, transformation, self-discovery and positive development that is happening within you or your life. You are undergoing a transitional phase and are becoming more enlightened or spiritual. Although such a dream may bring about feelings of fear and anxiety, it is no cause for alarm as it is often considered a positive symbol. Dreams of experiencing your own death usually means that big changes are ahead for you. You are moving on to new beginnings and leaving the past behind. These changes does not necessarily imply a negative turn of events. Metaphorically, dying can be seen as an end or a termination to your old ways and habits. So, dying does not always mean a physical death, but an ending of something.
On a negative note, to dream that you die may represent involvement in deeply painful relationships or unhealthy, destructive behaviors. You may feeling depressed or feel strangled by a situation or person in your waking life. Perhaps your mind is preoccupied with someone who is terminally ill or dying. Alternatively, you may be trying to get out of some obligation, responsibility or other situation. You are desperately trying to escape from the demands of your daily life.
To see someone dying in your dream, signifies that your feelings for that person are dead or that a significant change/loss is occurring in your relationship with that person. Alternatively, you may want to repress that aspect of yourself that is represented by the dying person.
To dream of seeing any of your people dead, warns you of coming dissolution or sorrow. Disappointments always follow dreams of this nature.
To hear of any friend or relative being dead, you will soon have bad news from some of them.
Dreams relating to death or dying, unless they are due to spiritual causes, are misleading and very confusing to the novice in dream lore when he attempts to interpret them. A man who thinks intensely fills his aura with thought or subjective images active with the passions that gave them birth; by thinking and acting on other lines, he may supplant these images with others possessed of a different form and nature. In his dreams he may see these images dying, dead or their burial, and mistake them for friends or enemies. In this way he may, while asleep, see himself or a relative die, when in reality he has been warned that some good thought or deed is to be supplanted by an evil one. To illustrate: If it is a dear friend or relative whom he sees in the agony of death, he is warned against immoral or other improper thought and action, but if it is an enemy or some repulsive object dismantled in death, he may overcome his evil ways and thus give himself or friends cause for joy. Often the end or beginning of suspense or trials are foretold by dreams of this nature. They also frequently occur when the dreamer is controlled by imaginary states of evil or good. A man in that state is not himself, but is what the dominating influences make him. He may be warned of approaching conditions or his extrication from the same. In our dreams we are closer to our real self than in waking life. The hideous or pleasing incidents seen and heard about us in our dreams are all of our own making, they reflect the true state of our soul and body, and we cannot flee from them unless we drive them out of our being by the use of good thoughts and deeds, by the power of the spirit within us.
This indicates long life. But a sick person dreaming of death has the positive results.
Dreaming about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what do you like about him. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, it indicates that whatever that person represents has no part in your own life.
Dreaming about death is very common and it can be interpreted in many different ways. Death is usually a symbol of some type of closure or end. It implies an end to one thing and a beginning of another. Death dreams usually have positive symbolism. If you are the dead person in your dream, it could imply that you would like to leave all of your worries and struggles behind and begin anew. Dreaming about someone that you care about may express your fear about losing them. Dreaming that one of your parents died may express fear of loss, but it also may be an unconscious valve through which you release anger and other negative feelings. In some cultures dreaming about death and dying is a very good omen that represents longevity and prosperity.
Astrological Sign: Scorpio.
Positive associations with this tarot card:
endings, transformation, clearance, sweeping change.
Negative associations with this tarot card:
stagnation, loss of opportunity, loss of friendship, fear of change.
Without a doubt it is this card that causes most fear in a reading and yet it rarely, if ever, symbolizes actual death, more a time of absolute endings and absolute beginnings.
Whilst The Death card can represent rather shocking or unexpected events or changes, they usually clear the way for a brand new start and a greater value for life itself.
Out with the old and in with the new, a time of transformation is another way of looking at this card.
Negatively there isn't much difference, other than you may have a greater sense of fear and dread. when this card appears it's time to show what you're made of.
Another negative aspect of The Death card is stagnation, resisiting change when change is essential which may lead to lost opportunities.
In a cosmic sense, every war concerns the struggle of light against
darkness—of good against evil. In mythology, there are copious examples of such
struggles between the powers of light and the forces of darkness: Jupiter’s combat with the Titans, Thor versus the giants, Gilgamesh and other heroes versus
monsters (4). The particular field of action is symbolic of the plane of reality on
which the action takes place. In Islamic tradition, material war is merely the ‘little holy war’, whereas the ‘great Holy War’ is that which liberates man from the
enemies within. The more just the war, the more faithful the image of it. Guénon
specifically states that the only justification for war is the reducing of multiplicity to unity—disorder to order. In this way, war can be seen as the means of
reinstating the original order, or as a kind of ‘sacrifice’ which echoes the cosmogonic sacrifice. Exactly the same applies to the psychic plane: Man must seek to
achieve inner unity in his actions, in his thoughts, and also between his actions
and his thoughts. Unity of purpose is symbolized by ritual orientation, in which
the terrestrial ‘centres’ (the North star, or the East) become visual images of the
one true ‘Centre’ (25).
To dream of war, foretells unfortunate conditions in business, and much disorder and strife in domestic affairs.
For a young woman to dream that her lover goes to war, denotes that she will hear of something detrimental to her lover's character.
To dream that your country is defeated in war, is a sign that it will suffer revolution of a business and political nature. Personal interest will sustain a blow either way.
If of victory you dream, there will be brisk activity along business lines, and domesticity will be harmonious.
To dream of a war, signifies disorder and chaos in your waking life You are experiencing some internal conflict or emotional struggle which is tearing you up inside. Alternatively, the dream indicates that you are either being overly aggressive or that you are not being assertive enough. Perhaps you need to be prepared to put up a fight in some area of your life. On a more direct level, the dream may be reflection of current wars around the world and your personal feelings about it.
Dreaming of a war means disorder and chaos in your personal affairs. You also be experiencing some internal conflict or emotional struggle. You are feeling torn between aspects of yourself. Perhaps the dream may indicate that you are being overly aggressive or you are not being assertive enough.
Dreaming about a war or a battle suggests that the dreamer has internal conflict. One part of personality or psyche may be battling with another for control and the dream reflects this internal war. Another reason for dreaming about war is that you may be faced with a situation that requires you to be aggressive or assertive and to come to terms with opposition. War veterans and others who have experienced war first hand may, from time to time, have such dreams based on memory and trauma.
They symbolize forebears, or the latent forces within the personality ready to come to the aid of the consciousness. If the warriors are hostile,
then they signify antagonistic forces, but still within the framework of the personality. This symbolism is similar to that of the four archers who defend the
cardinal points; the ‘spaces’ rendered independent of the ‘centre’ are illustrations
of the forces which may rise up, as it were, against the integrity of the individual.
Defenders and attackers then become, respectively, forces for and against the
personality.