The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).

To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.

To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.

To dream of hearing harmonious music, omens pleasure and prosperity.

Discordant music foretells troubles with unruly children, and unhappiness in the household.

To see a hotel in your dream, signifies a new state of mind or a shift in personal identity. You are undergoing some sort of transition and need to move away from your old habits and old way of thinking. You need to temporarily escape from your daily life. Alternatively, the dream may imply a loss in your personal identity.

To dream of living in a hotel, denotes ease and profit.

To visit women in a hotel, your life will be rather on a dissolute order.

To dream of seeing a fine hotel, indicates wealth and travel.

If you dream that you are the proprietor of a hotel, you will earn all the fortune you will ever possess.

To work in a hotel, you could find a more remunerative employment than what you have.

To dream of hunting a hotel, you will be baffled in your search for wealth and happiness.

Seeing a hotel in your dream means a new state of mind or a shift in personal identity. You need to move away from your old habits and old way of thinking.

All dwelling places generally represent the dreamer's psychological, emotional, or spiritual condition. The dream may reflect a current reality, issue, or dilemma and attempt to bring the dreamer into greater self-awareness. Because a hotel is a transitory dwelling, it suggests a time away from one's responsibilities or routine. As a dream symbol it could reflect a need for rest and reflection. Depending on the details of the dream, specific information can be ascertained. For example, if the hotel is luxurious it suggests prosperity and positive decision-making. However, if the hotel is rundown and inadequate, it may reflect a time of uneasiness and depravation. Whether the hotel in your dream represented a retreat or escapism is for you to determine by examining your current daily reality. Finally, a hotel may refer to a temporary stage in life or be a form of compensation with which the dreamer eases the anxiety and stress experienced during the day.

To see a busy town in your dream, signifies warmth and compassion. You are sociable and get along with others.

To see an abandoned or empty town in your dream, suggests that you are feeling rejected by society. You may be isolating yourself from others.

To dream of talking, denotes that you will soon hear of the sickness of relatives, and there will be worries in your affairs.

To hear others talking loudly, foretells that you will be accused of interfering in the affairs of others. To think they are talking about you, denotes that you are menaced with illness and disfavor.

To dream that you are talking does not have any significance unless it is unusual or bizarre. What are you saying specifically. Consider also if what you say evoke strong feelings or behavioral reactions. The dream may simply be highlighting your need improve your communication skills or learn to express yourself more clearly.

Dreaming that you are talking does not have any significance unless it is unusual or bizarre. Consider also if what you say evoke strong feelings or behavioral reactions. Hearing others talking loudly in your dream means that you will be accused of not minding your own business and butting into everybody else's affairs.

To dream that you are listening to the radio, symbolizes your awareness and intuition toward a particular situation. What you hear through the radio also represents messages from your unconscious. It is possible that it is some form of ESP or telepathic communication.

If you dream that the radio is turned off, then it indicates that you have the ability to help in some situation, but you are refusing to do so.

Dreaming that you are listening to the radio, symbolizes your awareness and intuition toward a particular situation. What you hear through the radio also represents messages from your unconscious. It is possible that it is some for of ESP or telepathic communication. Dreaming that a radio is turned off indicates that you have the ability to help or assist in some situation, but you are refusing to do so

To dream that no one hears you, refers to a waking situation where you feel that no one is listening to you or paying attention to what you are saying. You feel you are being overlooked or overshadowed.

Dreaming that no one hears you, refers to a waking situation where you feel that no one is listening to you or paying attention to what you are saying. You feel you are being overlooked or overshadowed.

A symbol of individuality—of private thoughts. The windows symbolize the possibility of understanding and of passing through to the external and
the beyond, and are also an illustration of any idea of communication. Hence, a
closed room lacking windows may be symbolic of virginity, according to Frazer,
and also of other kinds of non-communication. Many rites involving the
enclosureimage are performed to mark the reaching of puberty, all over the world.
The legend about Danae, shut up by her father in a bronze tower, pertains to this
particular symbolism. There is a Siberian legend concerning a ‘dark house of iron’
which is also relevant to it (21). We might also mention the ‘vase with a lid’, one
of the eight emblems of good luck in Chinese Buddhism, and a symbol of wholeness, of the idea with no ‘exit’, or, in other words, of supreme intelligence triumphant over birth and death (signified respectively by the doors and windows of
the room) (5). This explains why the hermetically sealed room may possibly be
a variant form of the ‘vase with a lid’.

To dream that you are in a room, represents a particular aspect of yourself or a specific relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. If the room is welcoming or comfortable, then it signifies opulence and satisfaction in life. If you see a dark or confined room, then it denotes that you feel trapped or repressed in a situation.

To dream that you find or discover a new room, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Consider what you find in the discovered room as it may indicate repressed memories, fears, or rejected emotions. Alternatively, such rooms are symbolic of neglected skills or rejected potential.

To dream that you are in an empty white room, indicates a fresh start. It is like a blank canvas where you want to start life anew. Alternatively, the dream means that you are trying to isolate yourself. You do not want any outside influences.

To dream of a yellow room, suggests that you need to use your mind. You are feeling stimulated mentally.

Dreaming that you are in a room, represents a particular aspect of yourself or a particular relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. Dreaming that you find or discover new rooms, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Seeing an appealing or comfortable room in your dream means opulence and satisfaction in life. Seeing a dark, eerie or confining room indicates that that you feel trapped or repressed in a situation.

To hear or make rhymes in your dream, indicate that you are seeking balance and harmony in your life. Rhymes may be a way for you to better remember an important component in your dream when you wake. Focus on what it may be trying to tell you. Alternatively, the dream symbolizes a silly or confusing situation. Consider the phrase "no rhyme or reason".