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Butterfly-Man-Monster

Morning of December 31, 1995. Sunday.

My dream’s plot relates to an old widow (who is seen as stingy and nasty overall, and who had a son whom supposedly vanished) who rents a large house to about four different families as well as a couple single men, all who are apparently mostly without many resources or money. Two of the families seem to share one larger room. The house is old and has roach infestation and very old variegated carpeting (reds, blues, greens); in some locations, only older very narrow strips nailed to the floor, not much wider than the nails. At one point, the old lady speaks of having new carpeting put in. I seem to go in and out of my dream as if I am a secondary character at times.

One male from one family gives me a calendar (I assume for 1996) but as we seemingly share the same large room at this point I tell him to just put it on the wall so that we all can benefit from it. During this time, I take a couple pictures from the wall to make room. I had put many pictures up on the worn wall to make it look better as others seemed interested.

There is one part where a housing inspector complains (relative to safety concerns) that there are hidden doors in the house and asks where they all are. One door is under an old section of carpet. The door is lifted and leads to a collection of old cards and letters from the 1940s (1943 is noted a few times). This causes the old woman to cry as she apparently rediscovers and relives “lost” memories. Another door is discovered and examined. A monster-like face scares one person away. Eventually, a strange green hand emerges and scares more people.

At one point, a boy explores a lower part of the house that is usually hidden. Somehow, he accidentally causes a fire around barrels filled with oil or possibly gasoline. The fire is put out by the flapping of very large wings. The wings are of a creature that frightens the boy even though he poses no threat and is possibly just lonely and looking for others like himself.

It is revealed that the old woman had a son that had not actually vanished but transformed into a “monster” that is basically a “butterfly-man”. She had kept him in the old house all that time in secret rooms. At one point, he seems to fly off towards the setting sun in a scene with mostly orange hues. However, this turns out to be an illusion as he cannot leave the house (yet).

There is a part where there is a costume party. A boy seems to see his sister (in a dog costume) vanish before his eyes but she later reappears without donning a costume, saying she had not worn the dog costume that she originally planned to. Thus, the prior scene turned out to be a trick played upon him by a friend. Of course, the butterfly-man can go to a costume party without being noticed that directly.

There is another part where a unfamiliar man (yet supposedly a known criminal) is writing spontaneously (possessed?) in a language he does not know. It resembles Lao script (which in itself makes me think of butterfly-like patterns) and there happens to be a few who can read it as he writes. It relates to some sort of “monster” or “spirit” being reborn into the world in vengeance.

There are then a lot of ambiguous scenarios relating to crimes including the man who was writing as well as the “butterfly-man-monster” who somehow actually did eventually leave the house. Someone else somehow makes him become fully human, but then he becomes a giant and destroys highways and bridges. There is even a chase scene involving boats. One boat at one point actually looks more like a pair of platforms to supposedly be a swimming aid of a sort (to develop “faster swimming”).

Even when the criminals are killed, they are still somehow able to pursue certain people.

I start to wake up from this long, convoluted dream before the full “story” is “transcribed”, supposedly to designate a purpose of some sort but mostly incoherent in afterthought. Most dreams are not really linear or story-like (in a cohesive sense) after all and should not be treated as such (depending on the context).

butterfly man
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