My dear, tonight I had the most wonderful dream about you. We were together on earth doing crafts. Making instruments. Drawing. Writing books. Making necklaces and such. When we finished your phone rang and it was some intergalactic space communication coming through. It asked us to get on our space scooters and scoot out to the star of Sagittarius, the location of the super massive black hole which gave birth to our milky way galaxy and the solar system within its magnificent voids. So we get our little tinker toy space devices and race each other out there. Doing flips and tricks and singing songs that we made up and the songs of our ancestors. We were having a SiStarly time traveling through space at the speed of light, emanating a rainbow of colors. We stopped at neptune to fuel up. Distance wise its the furthest point between here and sagittarius A star. So we continue our shenanigans playing i spy and drawing constellations together. Waving to the passing extra terrestrials. We see this large burning mass ahead. Larger than any other mass weve ever been in the presence of. Its slowing pulling space and time into its bellows. One day our solar system will be all inside out on the other side. So anyways. We arrive. There are already many other starseeds there. They ve been waiting for us. More show up until there are so many millions of us that we surround the star, able to notget burned through our collective strength and resistance. We circle around sagittarius and link hands, performing a kind of exorcism on the site of the super massive black hole. It seems it is sick and rotten with greeed, jealous of our sentient awareness and our expanding consciousness. We have to give it so much love and make it see that it is deeply appreciated for being one of our many mothers. We sing to it. Cradle it in our hearts and after 11 days, the star begins to stop pulling matter into it. We continue with our loving because our job is not yet finished. And after 3 more days. The star actually stars to release matter from her center, causing the universe to rapidly and continuously expand. She has forgiven us for our narcissism and negligence and is ready to giiiiive. We all embrace and hop around space having a little space peace party. It was the best dream I've had in a long time. And i am honored that you would unite with me in dream world to save our YOUniverse thank you.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
As a light shining in the darkness, the star is a symbol of the spirit.
Bayley has pointed out, however, that the star very rarely carries a single meaning—it nearly always alludes to multiplicity. In which case it stands for the forces
of the spirit struggling against the forces of darkness. This is a meaning which has
been incorporated into emblematic art all over the world (4). For this reason,
‘identification with the star’ is possible only to the chosen few. Jung recalls the
Mithraic saying: ‘I am a star which goes with thee and shines out of the depths’
(31). Now, individual stars are often seen in graphic symbolism. Their meaning frequently depends upon their shape, the number of points, the manner of their
arrangement, and their colour (if any). The ‘flaming star’ is a symbol of the mystic
Centre—of the force of the universe in expansion (4). The five-pointed star is the
most common. As far back as in the days of Egyptian hieroglyphics it signified
‘rising upwards towards the point of origin’, and formed part of such words as
‘to bring up’, ‘to educate’, ‘the teacher’, etc. (19). The inverted five-pointed star
is a symbol of the infernal as used in black magic (37).
Being nocturnal, their symbolism is associated with that of night; they
are also linked with the idea of multiplicity (or with disintegration) because they
appear in clusters, and with order and destiny because of their disposition and
location (according to Horapollo Niliacus).
Seeing stars in your dream, symbolize high ideals, spirit, fate and luck. It also means your desire for fame and fortune.
Astrological Sign: Aquarius.
Positive associations with this tarot card:
hope, generosity, serenity, wishes coming true, good health, spiritual awareness.
Negative associations with this tarot card:
self-doubt, lack of trust, cynicism, pessimism.
The Star is a welcome card bringing insight into the future, optimism and hope, renewal of faith and unexpected gifts!.
When considering a new relationship or enterprise The Star is an excellent omen.
This card heralds good times for many things, artistic or educational endeavours, travel, health and spiritual awareness or development.
Negatively this card warns against the perils of self-doubt and negativity that may lead to lost oportunities.
However even with the negative aspect of this card you will be surprised with good luck despite your cynicism.
According to Subba Rao, this is a cosmic symbol expressive of
the complete man—he who is at once animal, spiritual and worthy of his divine
origin. Man thus constitutes a link between heaven and earth, implying a state of
tension which finds its symbolic expression in the arc (or rainbow). Sagittarius,
the Centaur, or the Archer signify this triple nature of the symbol; the horse
symbolizes the instinctive organism, the human part denotes the three higher
principles embracing the monad as expressed by the arrow. In the Babylonian
epic of Gilgamesh, Sagittarius is represented by ‘scorpion-men’ who are ‘no more
than two-thirds divine’ (40).
To dream that someone is a Sagittarius, represents your high ideals. You are outspoken, adventurous, goal-oriented and optimistic in your thinking. The dream may mean that you are trying to break from your routine.
To see friends in your dream, signify aspects of your personality that you have rejected, but are ready to incorporate and acknowledge. The relationships you have with those around you are important in learning about yourself. Alternatively, dreaming of a friend, indicates positive news.
To see your childhood friend in your dream, signifies regression into your past where you had no responsibilities. Things were much simpler and carefree. You may be wanting to escape the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend suggests that you have been acting in a childish manner. You need to start acting like an adult.
To dream that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
To dream of friends being well and happy, denotes pleasant tidings of them, or you will soon see them or some of their relatives.
To see your friend troubled and haggard, sickness or distress is upon them.
To see your friends dark-colored, denotes unusual sickness or trouble to you or to them. To see them take the form of animals, signifies that enemies will separate you from your closest relations.
To see your friend who dresses in somber colors in flaming red, foretells that unpleasant things will transpire, causing you anxiety if not loss, and that friends will be implicated.
To dream you see a friend standing like a statue on a hill, denotes you will advance beyond present pursuits, but will retain former impressions of justice and knowledge, seeking these through every change. If the figure below be low, you will ignore your friends of former days in your future advancement. If it is on a plane or level with you, you will fail in your ambition to reach other spheres. If you seem to be going from it, you will force yourself to seek a change in spite of friendly ties or self-admonition.
To dream you see a friend with a white cloth tied over his face, denotes that you will be injured by some person who will endeavor to keep up friendly relations with you.
To dream that you are shaking hands with a person who has wronged you, and he is taking his departure and looks sad, foretells you will have differences with a close friend and alienation will perhaps follow. You are most assuredly nearing loss of some character.
Seeing your friends in your dream means aspects of your personality that you have rejected, but are ready to integrate these rejected part of yourself. The relationships you have with those around you are important in learning about yourself. Additionally, this symbol foretells of happy tidings from them and the arrival of good news. Seeing your childhood friend in your dream means regression into your past where you had no responsibilities and things were much simpler and carefree. You may be wanting to escape the the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend may be suggesting that you have been acting in a childish manner and you need to start acting like an adult. Dreaming that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
To dream that you are drawing, represents an expression of your latent artistic abilities. You need to show more of your creativity in your waking life. Alternatively, the dream may be a pun on a "draw" to mean a tie or some undecided decision or argument. "It's a draw."
Dreaming that you are drawing, may be an expression of your latent creative and artistic abilities.
A dream that you are drawing something can be a sign that you need to pay more attention to the irrational, creative and intuitive aspects of your personality.
The meaning of the dream will depend on what is being drawn.
There's an old legend that says that if a woman dreams that she is drawing something with a pencil and then erases it, it is a sign that her lover is going to cheat on her.
A very important symbol, with two main aspects: on the biological
level, it has fertilizing power and is related to fertility rites; on the spiritual plane,
it stands for the ‘opening’ of this world on to the other world. Worship of
‘perforated stones’ in one form or another is very common all over the world.
Eliade notes that, in the region of Amance, there is just such a stone in front of
which women kneel to pray for the health of their children. To this day, in
Paphos, barren women crawl through the hole of such a stone. Primitive Indian
peoples were mainly concerned with its symbolism at the physical level, identifying the hole with the female sexual organs, although they too had an intuitive
awareness of the fact that holes could stand for the ‘gateway of the world’, which
the soul has to cross in order to be released from the cycle of karma (17). In the
Brihadaranyaka Upanishad it is said that ‘when a human being leaves this world,
he makes his way through the air, and the air opens up for him as wide as a
cartwheel’ (50). The artistic expression of this symbol is found in the Chinese Pi,
i.e. the representation of heaven. It is a jade disc with a hole in the middle;
measurements vary from case to case, but according to the Chinese dictionary
Erh Ya, the relation between the outside ring and the central hole remains constant. This hole is the Hindu ‘gateway’, also the Aristotelian ‘unvarying mean’ or
‘unmoved mover’. The origins of the Pi are exceedingly remote, and carved and
decorated Pi have also been found (39). As a symbol of heaven, the hole also stands specifically for the passage from spatial to non-spatial, from temporal to
non-temporal existence, and corresponds to the zenith (52). The strange and
roughly hewn door-openings of some neolithic stone-structures have been interpreted by some scholars as symbolic holes in the above sense; the laborious
nature of these holes could otherwise have been avoided by means of the simple
and well-known pillar-and-lintel method of construction. An outstanding example of this kind of door is that at Hagiar Kim (Malta). It is interesting to note,
in this connexion, that the initiation ceremony among the Pomo Indians of Northern California includes a ritual blow from a grizzly bear paw, which is supposed
to make a hole in the neophyte’s back, on account of which he ‘dies’ and is reborn
to a new stage of life. It is probable that, from the earliest times, the visual aspect
of wounds helped to strengthen the association between the concept of the hole
and that of passing into the other life. All this seems to be corroborated by the fact
that in many symbolist pictures, e.g. in Gustave Moreau’s Orpheus, the background landscape includes perforated rocks which are evidently invested with a
transcendental significance. It is also worth recalling Salvador Dali’s frequent
practice, amounting almost to an obsession, of painting holes (regular in shape,
like windows) on the backs of some of his figures.
To see a hole in the ground, denotes hidden aspects of your activities. On the other hand, it may mean that you are feeling hollow or empty inside. This dream may be an awakening for you to get out and expose yourself to new interests and activities. Alternatively, the dream may be a pun on "wholeness' or completeness.
To dream that you fall into a hole, represents a pitfall in some waking situation. You feel you are stuck. Perhaps, you have dug yourself into a hole and cannot get out of it.
To dream that there is a hole in your clothing, indicates that there are some flaws in your thinking or thought process. You may need to undergo an image makeover.
Seeing a hole in the ground indicates hidden aspects of your activities. On the other hand, it may mean that you are feeling hollow or empty inside. This dream may be an awakening for you in that you need to get out and expose your self to new interests and activities. Dreaming that you fall into a hole means a pitfall in a situation in your life or that you are stuck in a hole. Perhaps, you have dug yourself into a hole and can not get out of it.