[Dreamlog]:
Aya was in a vast ocean with all of her closest isistars. Her love and masculine twinsol [Guzu] was also present. The goddisis tribe were participating in an ancient Oceanic school. One elder goddess was the present teacher. She was surrounded by the young goddesses. Eye remember [Spectra] was sitting at the front of the class and Aya brought some crystals to her, for her to keep while she explored the ocean. All the goddesses were in their natural state of divinity, completely naked, raw. cleansed. Eye remember being captivated by the beauty of all of us. there Naked. Divine. immersed in our mothers body. her source. her liquid.light.
Aya had a selenite walking staff.wand which she used to navigate the waters. Aya used her selenite magic staff to locate crystalline structures under the water, she felt something long and crystalline and went to see what it was. It was another crystal staff in the shape of the Peruvian hummingbird [nazca] line. Its tail spiralled down and the body was at the top of the staff. She knew she had carried this staff before. She knew all of this had happened before. This ancient Starry Oceanic temple school was so deeply familiar to her. It all felt so natural. So aligned with the depth of her being, to be in the ocean. To be taught the wisdom of the water. To be surrounded by her isistars. Her elders. She loved this feeling. She wanted this ancient dreamemory to stretch out into infinity.
Astr.Aya stirs. opens her eyes. Realeyezes where she is, that she is no longer in the ocean, but in her bed. Living her dreams In Colorado. With her love, [guzu] sleeping beside her. She drifts back into dreamtime.
Only to enter another dream.scape.
In this one, the only dreamemory she has is of this:
An Elder father figure trying to find her throughout the dream. He says "I have something very important I need to give to you." throughout the dream. Finally they align and he gives her a book. It is similiar to the [Ra Material] But simply titled [RA], it is a very important book that Aya needs, and has essential information for her, the elder tells her. There is significant symbols on the book and information on the back. The elder seems to have several of these books, he is on a mission to pass on to the destined beings.
This is all Astr.Aya can dreamember.
[dream.log complete]
To dream of an ancient theme, symbolizes your sense of foundation. You are well-grounded and are able to learn from your past.
Dreaming of something ancient means that you give matters in life the respect it desereves, and that you are able to look positively at your past and use what you have learned to progress in society.
The staff has a double symbolism, as a support and as an instrument of
punishment. As regards the first, Frazer notes that the ancient Egyptians held a
festival after the Autumn Solstice which they called the ‘Nativity of the SunStick’, because they supposed that, as the day grew shorter and the sunlight
weaker, the sun needed a stick for support (21). Dalí has revived the mythic staff
in the form of crutches, which are a recurrent theme in his paintings. The use of
staff-symbolism, both among the ancient Egyptians and in a modern artist such
as Dalí, exemplifies an elementary principle of symbolism: the correlation and
interchangeability of the material and spiritual aspects of a given situation. As a
weapon it is symbolically identical with the club, the royal weapon (15) (Oedipus kills Laius, whom he does not know to be his father, with a blow of his staff).
According to Piobb, the Graeco-Roman conception of the ocean
encompassing the earth was a graphic representation of the current of energy
induced by the terrestrial globe (48). Setting aside its grandeur, the two most
essential aspects of the ocean are its ceaseless movement and the formlessness of
its waters. It is a symbol, therefore, of dynamic forces and of transitional states
between the stable (or solids) and the formless (air or gas). The ocean as a whole,
as opposed to the concept of the drop of water, is a symbol of universal life as
opposed to the particular (38). It is regarded traditionally as the source of the
generation of all life (57), and science has confirmed that life did in fact begin in the
sea (3). Zimmer observes that the ocean is ‘immense illogic’—a vast expanse
dreaming its own dreams and asleep in its own reality, yet containing within itself
the seeds of its antitheses. The island is the opponent of the ocean and symbolic
of the metaphysical point of irradiating force (60). In keeping with the general
symbolism of water, both fresh and salt, the ocean stands for the sum of all the
possibilities of one plane of existence. Having regard to its characteristics, one
may deduce whether these potentialities are positive (or germinant) or negative
(destructive) (26). The ocean, then, denotes an ambivalent situation. As the begetter of monsters, it is the abysmal abode par excellence, the chaotic source
which still brings forth base entities ill-fitted to life in its aerial and superior
forms. Consequently, aquatic monsters represent a cosmic or psychological situation at a lower level than land-monsters; this is why sirens and tritons denote a
sub-animal order. The power of salt water to destroy the higher forms of land-life
means that it is also a symbol of sterility, so confirming the ambivalent nature of the ocean—its contradictory dynamism (32). The ocean is also to be found as a
symbol of woman or the mother (in both her benevolent and her terrible aspects)
(56). As Frobenius comments in Das Zeitalter des Sonnengottes: ‘If the blood-red
sunrise is interpreted as the “birth” of an astral body, then two questions arise:
Who is the father? And how did the mother come to conceive? And since she, like
the fish, is a sea-symbol, and since our premiss is that the sun plunges into the sea
and yet is born in it, the answer must be that the sea previously swallowed up the
old sun and the appearance of a “new sun” confirms that she has been fecundated.
The symbolism here coincides with that of Isis whose twin lunar horns embrace
the sun.’ This appearance of the sun and its disappearance back into the deeps of
the ocean confirm that the ‘Lower Waters’ signify the abyss out of which forms
arise to unfold their potentialities within existence. Thus, the ocean is equated
also with the collective unconscious, out of which arises the sun of the spirit (32).
The stormy sea, as a poetic image or a dream, is a sign of an analogous state in the
lower depths of the affective unconscious. A translucent calm, on the other hand,
denotes a state of contemplative serenity.
To see an ocean in your dream, represents the state of your emotions and feelings. It is indicative of spiritual refreshment, tranquility and renewal. Alternatively, the dream means that you are feeling empowered and unhindered. You have a positive outlook in life and are not limited by anything. If you are sailing across the ocean, then it signifies new found freedom and independence. You are showing great courage. If the ocean is rough, then the dream represents some emotional turmoil. You are doing your best to handle life's ups and downs.
The state of life will be as the ocean is perceived to be in dream, viz., calm and
peaceful life when the ocean is calm and troublesome life when the ocean is stormy, etc.
To dream of the ocean when it is calm is propitious.
The sailor will have a pleasant and profitable voyage.
The business man will enjoy a season of remuneration,
and the young man will revel in his sweetheart's charms.
To be far out on the ocean, and hear the waves lash the ship, forebodes disaster in business life, and quarrels and stormy periods in the household.
To be on shore and see the waves of the ocean foaming against each other, foretells your narrow escape from injury and the designs of enemies.
To dream of seeing the ocean so shallow as to allow wading, or a view of the bottom, signifies prosperity and pleasure with a commingling of sorrow and hardships.
To sail on the ocean when it is calm, is always propitious.
Seeing an ocean in your dream, represents the state of your emotions and feelings. It is indicative of some spiritual refreshment, tranquility and renewal.
It traditionally represents our great unconscious, memories, emotions, and individual soul and collective experiences. Look at all of the details in this dream. Is the water clear or murky? Is it calm or turbulent? Are you catching fish, or are you stranded and afraid? Look, listen, and try to comprehend the messages in this dream. No one is in a better position to give meaning to your dreams than you can. Concentrate and learn for yourself.
Dreaming of books indicates calmness. You will advance toward your goals at a slow and steady pace. Books also symbolize knowledge, intellect, information and wisdom. Consider the type of book. It may represent a significant calling into a specific field of work. Dreaming of dusty books indicates forgotten knowledge or previous "chapters" of your life. Dreaming of children's books, memories and a collection of personal memories from your own childhood. It may also suggest your desire to escape from reality and retreat into some fantasy world. Dreaming of a satanic book, symbolizes your one-sided way of thinking and looking at things. You are trying to denounce any responsibility in your actions and are putting forth a little effort as possible.
The word ‘temple’ derives from the root tem—’to divide’. Etruscan
soothsayers made a division of the heavens by means of two straight lines intersecting at a point directly above the head, the point of intersection being a projection of the notion of the ‘Centre’, and the lines representing the two ‘directions’
of the plane; the north-south line was called cardo and the east-west decumanus.
Phenomena were interpreted according to their situation within this division of
space. Hence, the earthly temple is seen as an image of the celestial temple and its
basic structure is determined by considerations of order and orientation (7). The
temple affords a particular and additional meaning to the generic symbolism of architectonic structures. Broadly speaking, it is the mystic significance of the
‘Centre’ which prevails; the temple and, in particular, the altar, being identified
with the symbol of the mountain-top as the focal point of the intersection of the
two worlds of heaven and earth. Solomon’s temple, according to Philo and Flavius
Josephus, was a figurative representation of the cosmos, and its interior was
disposed accordingly: the incense table signified thanksgiving; the seven-branched
candelabra stood for the seven planetary heavens; the holy table represented the
terrestrial order. In addition to this, the twelve loaves of bread corresponded to
the twelve months of the year. The Ark of the Covenant symbolizes the intelligibles
(14). Romanesque, Gothic and Renaissance architects, each in their own way,
sought to imitate this superior archetype. For example, between 1596 and 1604,
imaginary reconstructions of the Temple of Solomon appeared in various works
published in Rome and based upon holy writ, and the illustrations they contained
deeply influenced the architects of the period. Another fundamental significance
of the temple derives from its being a synthesis of the various symbols for the
world-axis, such as the hollow mountain, steps and the sacrificial mountain-peak
mentioned above. In certain astrobiological cultures the temple or altar is in fact
built upon an artificial mountain—the teocalli of Mexico is an example. A more
advanced concept can be seen in the architectural portrayal of those essential
elements of the inner pattern of the universe founded upon the numbers three,
seven, ten and twelve in particular. Seven is basic to the representation of the
planets and their derived symbolisms, and hence the Mesopotamian templemountains—or ziggurats—were constructed after the fashion of a seven-terraced
pyramid. Each of the terraces was dedicate to a particular planet. The Babylonian
ziggurat known as Etemenanki (‘the house of the seven directions of heaven and
earth’) was built of crude bricks overlaid with others that had been fired. A tablet
in the Louvre records that in plan it measured 2,200 feet long by 1,200 wide. The
first level was black in colour and dedicated to Saturn, the second orange-coloured
and sacred to Jupiter, the third red and consecrated to Mars, the fourth golden and
sacred to the Sun, the fifth yellow (to Venus), the sixth blue (to Mercury), the
seventh silver (to the Moon) (39). This order is not always observed, for sometimes the Moon is situated in the sixth heaven and the Sun in the seventh (17).
Berthelot, however, suggests that the ziggurat not only embraces the mystic
aspects of the Mountain and the Centre (by virtue of its mass and situation) and
of Steps (because of its shape), but also constitutes an image of paradise, since
vegetation appears to flourish on its terraces (7). The origins of this type of
structure are Sumerian (7), and examples are to be found in Egypt, India, China
and pre-Columbian America. Eliade, in confirming this, adds that the climb to the top of the Mesopotamian or of the Hindu temple-mountain was equivalent to an
ecstatic journey to the ‘Centre’ of the world; once the traveller has reached the
topmost terrace, he breaks free from the laws of level, transcends profane space
and enters a region of purity (18). It is hardly necessary to observe that climbing
mountains implies ultimately the same mystic tendency, as can be seen in the fact
that mountain heights are the chosen abode of the recluse. And the favourable
symbolic significance of the goat derives solely from his predilection for heights.
Another important example of the temple-mountain, a product of Hindu culture,
comes from Indo-China—the temple of Borobudur built in the centre of the
island of Java in the 8th century of our era. Basically it consists of four levels of
square-shaped galleries, with four more circular platforms on top surmounted by
an enclosed belvedere. In form, then, it is similar to the Egyptian ziggurat, or, in
the Khmer language, a Phnom, signifying a temple-mountain comparable with
Meru, the Hindu Olympus. Four flights of steps up the centre of each pyramid
face lead directly from the base to the top. It would appear that the profoundest
meaning attached to this temple is of a supernatural character. Its name—
Borobudur—signifies ‘the seat of secret revelation’. All graduated edifices such
as steps concern the symbolism of discontinuous spiritual evolution, that is, the
separate but progressive stages of evolution (6). At the same time, the groundplan of the Borobudur temple is diagrammatically a true yantra, and its various
square and round-shaped levels constitute a mandala related to the symbolism of
‘squaring the circle’ (6). The symbolic structure of the Greek temple is fundamentally the same as that of the lake-dwelling: that is, it symbolizes the intercommunication between the Three Worlds—the Lower (represented by the water and
the piles on the one hand and earth and the subterranean part on the other), the
Terrestrial (the base and columns) and the Upper (suggested by the pediment).
Christian cathedrals are related less to the macrocosm than to the microcosm, the
human figure being depicted in terms of the apse (representing the head), the
cross and transepts (the arms), the nave and side aisles (the body) and the altar
(the heart). In the Gothic temple, the upward sweep, the vital rôle of the vertical
axis—and indeed the structure as a whole—embrace the idea of the templemountain with its implied synthesis of the symbolism of both macrocosm and
microcosm. According to Schneider, the two towers usually placed at the western
face correspond to the twin-peaked ‘mountain of Mars’ in primitive megalithic
cultures (and linked with the Gemini myth), while the cimborrio over the transept
is expressive of a higher synthesis, an image of heaven. Both the synthesis and the
crux of the matter are established by Gershom G. Scholem, in Les Origines de la
Kabbale (Paris, 1966). He recalls that God lives in his reason or that God is the absolute Reason and logos of the world, and that the temple ‘is the house’ or
abode of God, and thus identifies temple with reason.
To see a temple in your dream, represents inspiration, spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it. Perhaps you need to pamper yourself. Alternatively, the dream suggests that you are looking for a place of refuge and a place to keep things that are dear to you.
Seeing a temple in your dream, represents your spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it.
To see a present in your dream, may be a pun on being "present" and here. Or perhaps you need to live for the moment and not dwell in the past.
To dream that you are in school, signifies feelings of inadequacy and childhood insecurities that have never been resolved. It may relate to anxieties about your performance and abilities. If you are still in school and dream about school, then the dream may just be a reflection of your daily life and has no special significance.
Alternatively, a dream that takes place in school may be a metaphor for the lessons that you are learning from your waking life. You may be going through a "spiritual learning" experience.
To dream that you are looking for a school, suggests that you need to expand your knowledge and learning. To dream that you are at a new school, means that you are feeling out of place in some situation. Or perhaps there is a new lesson that you need to learn.
To dream that your childhood school is in ruins, suggests that you are dwelling on some unresolved childhood issue. Alternatively, the dream represents the passage of time. You need to look toward the future instead of reliving the past.
To dream of attending school, indicates distinction in literary work. If you think you are young and at school as in your youth, you will find that sorrow and reverses will make you sincerely long for the simple trusts and pleasures of days of yore.
To dream of teaching a school, foretells that you will strive for literary attainments, but the bare necessities of life must first be forthcoming.
To visit the schoolhouse of your childhood days, portends that discontent and discouraging incidents overshadows the present.
Dreaming that you are in school means feelings of inadequacy and childhood insecurities that have never been resolved. It may relate to anxieties about performance and abilities. You may also be going through a "spiritual learning" experience. If you are still in school and dream about school, then it will naturally serve as a backdrop to your dream world. Alternatively, a dream that takes place in school may be a metaphor for the lessons that you are learning from your waking life.
This dream may be interpreted on several different levels. If you are the student you may be feeling inadequate or lack self-confidence. Either way, going to school or attending class in a dream is your unconscious reminder that there is a need for new learning and that you may have not learned an important lesson. School may not always be a positive experience, but it is always necessary. Ask yourself what do you need to learn more about? If you were a teacher in your dream, you may be dealing with issues of authority. From a spiritual point of view, some believe that in the dream state an individual may travel to an inner plane or the spiritual realm, where they can attend classes that assist in spiritual growth and development.
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
The essence of the question involved here is contained in the saying of
Plotinus that the eye would not be able to see the sun if, in a manner, it were not
itself a sun. Given that the sun is the source of light and that light is symbolic of
the intelligence and of the spirit, then the process of seeing represents a spiritual
act and symbolizes understanding. Hence, the ‘divine eye’ of the Egyptians—a
determinative sign in their hieroglyphics called Wadza—denotes ‘He who feeds
the sacred fire or the intelligence of Man’ (28)—Osiris, in fact. Very interesting,
too, is the way the Egyptians defined the eye—or, rather, the circle of the iris
with the pupil as centre—as the ‘sun in the mouth’ (or the creative Word) (8). René Magritte, the surrealist painter, has illustrated this same relationship between the sun and the mouth in one of his most fascinating paintings. The possession of two eyes conveys physical normality and its spiritual equivalent, and it
follows that the third eye is symbolic of the superhuman or the divine. As for the
single eye, its significance is ambivalent: on the one hand it implies the subhuman
because it is less than two (two eyes being equated with the norm); but on the
other hand, given its location in the forehead, above the place designated for the
eyes by nature, it seems to allude to extra-human powers which are in fact—in
mythology—incarnated in the Cyclops. At the same time the eye in the forehead
is linked up with the idea of destruction, for obvious reasons in the case of the
single eye; but the same also applies when there is a third eye in the forehead, as
with Siva (or Shiva). This is explained by reference to one of the facets of the
symbolism of the number three: for if three can be said to correspond to the
active, the passive and the neutral, it can also apply to creation, conservation and
destruction. Heterotopic eyes are the spiritual equivalent of sight, that is, of
clairvoyance. (Heterotopic eyes are those which have been transferred anatomically to various parts of the body, such as the hands, wings, torso, arms, and
different parts of the head, in figures of fantastic beings, angels, deities and so on.)
When the eyes are situated in the hand, for example, by association with the
symbolism of the hand they come to denote clairvoyant action. An excessive
number of eyes has an ambivalent significance which it is important to note. In
the first place, the eyes refer to night with its myriads of stars, in the second
place, paradoxically yet necessarily, the possessor of so many eyes is left in
darkness. Furthermore, by way of corroboration, let us recall that in symbolist
theory multiplicity is always a sign of inferiority. Such ambivalences are common
in the realm of the unconscious and its projected images. Instructive in this
connexion is the example of Argus, who with all his eyes could not escape death.
The Adversary (Satan, in Hebrew) has been represented in a variety of ways,
among others, as a being with many eyes. A Tarot card in the Cabinet des Estampes
in Paris (Kh. 34d), for instance, depicts the devil as Argus with many eyes all over
his body. Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it
were, a certain autonomy of character or which is directly associated with a
definite function, and portraying it as a face. Multiple faces and eyes imply
disintegration or psychic decomposition—a conception which lies at the root of the demoniacal idea of rending apart (59). Finally, to come back to the pure
meaning of the eye in itself, Jung considers it to be the maternal bosom, and the
pupil its ‘child’.
(1)
Thus the great solar god becomes a child again, seeking renovation at his mother’s bosom (a symbol, for the Egyptians, of the mouth) (31).
1 The Jungian idea is expressed as a pun. ‘Niña’ means both ‘daughter’ and ‘pupil (of the eye)’. The
phrase ‘Niña de los ojos’ is like the English ‘apple of one’s eye’, which gives something of the feel of
the pun.—Translator
To dream of seeing an eye, warns you that watchful enemies are seeking the slightest chance to work injury to your business. This dream indicates to a lover, that a rival will usurp him if he is not careful.
To dream of brown eyes, denotes deceit and perfidy.
To see blue eyes, denotes weakness in carrying out any intention.
To see gray eyes, denotes a love of flattery for the owner.
To dream of losing an eye, or that the eyes are sore, denotes trouble.
To see a one-eyed man, denotes that you will be threatened with loss and trouble, beside which all others will appear insignificant.
Seeing your own eyes in your dream, represents enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts. Dreaming that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others. Dreaming that you have one eye indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking. Dreaming that you have a third eye, symbolizes inner vision and insight. You need to start looking within yourself. Dreaming that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy. Dreaming that you have crossed eyes indicates that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.