The symbolism of the moon is wide in scope and very complex. The
power of this satellite was noted by Cicero, when he observed that ‘Every month
the moon completes the same trajectory executed by the sun in a year. . . . It
contributes in large measure to the maturation of shrubs and the growth of animals.’ This helps to explain the important rôle of the lunar goddesses such as
Ishtar, Hathor, Anaitis, Artemis. Man, from the earliest times, has been aware of
the relationship between the moon and the tides, and of the more mysterious
connexion between the lunar cycle and the physiological cycle of woman. Krappe
believes—with Darwin—that this follows from the fact that animal life originated in the watery deeps and that this origin imparted a rhythm to life which has
lasted for millions of years. As he observes, the moon thus becomes the ‘Master
of women’. Another essential fact in the ‘psychology of the moon’ is the apparent changes in its surface that accompany its periodic phases. He postulates that
these phases—especially in their negative sense of partial and gradual disappearance—may have been the source of inspiration for the Dismemberment myth
(Zagreus, Pentheus, Orpheus, Actaeon, and Osiris for example). The same might be said of the myths and legends of the ‘spinners’ (35). When patriarchy superseded matriarchy, a feminine character came to be attributed to the moon and a
masculine to the sun. The hieros gamos, generally understood as the marriage of
heaven and earth, may also be taken as the union of the sun and the moon. It is
generally conceded nowadays that the lunar rhythms were utilized before the
solar rhythms as measures of time, and there is also a possible equation with the
resurrection—spring follows upon winter, flowers appear after the frost, the sun
rises again after the gloom of night, and the crescent moon grows out of the ‘new
moon’. Eliade points to the connexion between these cosmic events and the myth
of the periodic creation and recreation of the universe (17). The regulating function of the moon can also be seen in the distribution of the waters and the rains,
and hence it made an early appearance as the mediator between earth and heaven.
The moon not only measures and determines terrestrial phases but also unifies
them through its activity: it unifies, that is, the waters and rain, the fecundity of
women and of animals, and the fertility of vegetation. But above all it is the being
which does not keep its identity but suffers ‘painful’ modifications to its shape
as a clear and entirely visible circle. These phases are analogous to the seasons of
the year and to the ages in the span of man’s life, and are the reasons for the
affinity of the moon with the biological order of things, since it is also subject to
the laws of change, growth (from youth to maturity) and decline (from maturity
to old age). This accounts for the mythic belief that the moon’s invisible phase
corresponds to death in man, and, in consequence, the idea that the dead go to the
moon (and return from it—according to those traditions which accept reincarnation). ‘Death’, observes Eliade, ‘is not therefore an extinction, but a temporal
modification of the plan of life. For three nights the moon disappears from
heaven, but on the fourth day it is reborn. . . . The idea of the journey to the moon
after death is one which has been preserved in the more advanced cultures (in
Greece, India and Iran). Pythagorean thought imparted a fresh impulse to astral
theology: the “Islands of the Blessed” and all mythic geography came to be
projected on to celestial planes—the sun, the moon, the Milky Way. It is not
difficult to find, in these later formulas, the traditional themes of the moon as the
Land of the Dead or as the regenerating receptacle of souls. (But) . . . lunar space
was no more than one stage in the ascension; there were others: the sun, the
Milky Way, the “supreme circle”. This is the reason why the moon presides over
the formation of organisms, and also over their decomposition (as the colour
green). Its destiny consists of reabsorbing forms and of recreating them. Only
that which is beyond the moon, or above it, can transcend becoming. Hence, for Plutarch, the souls of the just are purified in the moon, whilst their bodies return
to earth and their spirit to the sun.’ The lunar condition, then, is equivalent to the
human condition. Our Lady is depicted above the moon, thereby denoting that
eternity is above the mutable and transitory (17). René Guénon has confirmed
that, in ‘the sphere of the moon’, forms are dissolved, so that the superior states
are severed from the inferior; hence the dual rôle of the moon as Diana and
Hecate—the celestial and the infernal. Diana or Jana is the feminine form of Janus
(26, 17). Within the cosmic order, the moon is regarded as a duplication of the
sun, but in diminished form, for, if the latter brings life to the entire planetary
system, the moon influences only our own planet. Because of its passive character—in that it receives its light from the sun—it is equated with the symbolism of
the number two and with the passive or feminine principle. It is also related to the
Egg of the World, the matrix and the casket (9). The metal corresponding to the
moon is silver (57). It is regarded as the guide to the occult side of nature, as
opposed to the sun which is responsible for the life of the manifest world and for
fiery activity. In alchemy, the moon represents the volatile (or mutable) and
feminine principle, and also multiplicity because of the fragmentary nature of its
phases. These two ideas have sometimes been confused, giving rise to literal
interpretations which fall into the trap of superstition. The Greenlanders, for
example, believe that all celestial bodies were at one time human beings, but the
moon in particular they accuse of inciting their women to orgies and for this
reason they are not permitted to contemplate it for long (8). In pre-Islamic
Arabia, as in other Semitic cultures, the cult of the moon prevailed over sunworship. Mohammed forbade the use of any metal in amulets except silver (39).
Another significant aspect of the moon concerns its close association with the
night (maternal, enveloping, unconscious and ambivalent because it is both protective and dangerous) and the pale quality of its light only half-illuminating
objects. Because of this, the moon is associated with the imagination and the
fancy as the intermediary realm between the self-denial of the spiritual life and
the blazing sun of intuition. Schneider has drawn attention to a highly interesting
morphological point with his observation that the progressive change in the
shape of the moon—from disk-shape to a thin thread of light—seems to have
given birth to a mystic theory of forms which has influenced, for example, the
manner of constructing musical instruments (51). At the same time, Stuchen,
Hommel and Dornseif have demonstrated the influence of the lunar shapes upon
the characters of the Hebrew and Arabic alphabets, in addition to their profound
effect upon the morphology of instruments. Eliade quotes Hentze’s comment to the effect that all dualisms find in the moon’s phases, if not their historical cause,
at least a mythic and a symbolic model. ‘The nether world—the world of darkness—is represented by a dying moon (horns=quarter moon; the sign of a double
volute=two quarter moons facing in opposite directions; two quarters superimposed back to back = lunar change representing a decrepit, bony old man). The
upper world—the world of life and of the nascent sun—is symbolized by a tiger
(the monster of darkness and of the new moon) with the human being, represented by a child, emerging from its jaws’ (17). Animals regarded as lunar are
those which alternate between appearance and disappearance, like the amphibians; examples are the snail which leaves its shell and returns to it; or the bear
which vanishes in winter and reappears in spring, and so on. Lunar objects may
be taken as those of a passive or reflecting character, like the mirror; or those
which can alter their surface-area, like the fan. An interesting point to note is that
both objects are feminine in character.

To see the moon in your dream, represents some hidden, mysterious aspect of yourself. It is often associated with the feminine mystique and intuition. Alternatively, the moon signifies your changing moods.

To see the eclipse of the moon in your dream, signifies that your feminine side is being overshadowed. Or it may mean that some hidden aspect of yourself is coming to the surface.

To see the crescent moon in your dream, indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path. A full moon signifies completion and wholeness, while a new moon symbolizes new beginnings.

To dream of seeing the moon with the aspect of the heavens remaining normal, prognosticates success in love and business affairs.

A weird and uncanny moon, denotes unpropitious lovemaking, domestic infelicities and disappointing enterprises of a business character.

The moon in eclipse, denotes that contagion will ravage your community.

To see the new moon, denotes an increase in wealth and congenial partners in marriage.

For a young woman to dream that she appeals to the moon to know her fate, denotes that she will soon be rewarded with marriage to the one of her choice. If she sees two moons, she will lose her lover by being mercenary. If she sees the moon grow dim, she will let the supreme happiness of her life slip for want of womanly tact.

To see a blood red moon, indicates war and strife, and she will see her lover march away in defence of his country.

Seeing the moon in your your dream, represents something hidden, mystery and the feminine aspect of your self. In particular, a full moon means completion, whereas a new moon symbolizes new beginnings. Dreaming that the moon in odd in any way means infidelity of your lover and disappointments in business. Seeing the eclipse of the moon in your dream means that your feminine side is being overshadowed. It also foretells of illness of someone near you. Seeing the crescent moon in your dream indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path.

The Moon is an interesting symbol that signifies feminine energy; it is associated with the irrational and the intuitive. The Moon affects the ocean tides, and it has been linked to madness. As a dream symbol is can represent all of these things and more. As always, pay attention to the details in the dream before making conclusions. The moon could represent romance and our earthly impulses and passions. It could reveal things about the nature of soul and the unconscious. The Moon can also reflect inner peace and feelings of serenity and security.

Often associated with the destination or repository for souls after death. The gods adn goddesses of the underworld, the realm of the dead, are often lunar deities. The association of the moon with death and rebirth is due to it's waxing and waning: every 28 days, teh moon "dies" and is "re-born". The ancient Greeks believed the moon to be a midway point for souls traveling from Earth to Heaven or visa versa. The souls of the newly dead first went to the moon where their astral bodies were cleansed before continuing on to Heaven. According to the Upanishads, the sacred Hindu texts, the souls of unenlightened people go to the moon after death where they await reincarnation. Enlightened souls who have been liberated from reincarnation go to the Sun.

Astrological Sign: Pisces.
Positive associations with this tarot card:
imagination, unexpected possibilities, illumination.
Negative associations with this tarot card:
fear, confusion, highly charged emotions, bewilderment, lies, deceit.
When The Moon appears you can be sure it will be a time of highly charged emotions and confusion .
Despite any fear you may have, the wan light of The Moon will illuminate the way, and even if the path you are on is tough, all will turn out right in the end.
Upright and in a favourable position in a reading this card is a good omen if you are involved in a clandestine affair, otherwise it may signify that your secret may be exposed.
The Moon can lead to artistic expression through art, writing or music, which may lead to unexpected opportunities.
Negatively this card stands for lack of progress because of deep rooted fears and anxieties. It tells of failure of nerve, it also warns of lies and deceit - perhaps this is the cause of your worries.

In the Egyptian tongue, the term designating the hand was related to
that for the pillar (or a support, or strength) and for the palm (4). In esoteric
doctrine, the position of the hand in relation to the body, and the arrangement of
the fingers, convey certain precise symbolic notions (48). According to the Egyptian system of hieroglyphs, the hand signifies manifestation, action, donating and
husbandry. An eye in association with a hand—as for example in some oriental
mythic beings—symbolize ‘clairvoyant action’ (19). Schneider concedes a major
rôle to the hand ‘because it is the corporeal manifestation of the inner state of the
human being’ and because ‘it expresses an attitude of mind in terms other than the
acoustic’—or, in other words, a gesture. It follows, then, that the raised hand is
the symbol of the voice and of song; the hand placed on the breast indicates the
attitude of the sage; placed on the neck it denotes sacrifice; two hands joined
signifies mystic marriage—the Jungian individuation; the hand covering the eyes
represents clairvoyance at the moment of death (50). Of great importance is the
fact that the hand has five fingers, firstly, because of its broad analogy with the
human figure (composed of four extremities plus the head), and, secondly, by
reason of the symbolism of the number five (denoting love, health and humanity)
(40). In Egyptian hieroglyphics, the open hand signifies any specificially human
task as well as magnetic force (19)—an idea also characteristic of pre-Columbian
America. And a very similar belief lies behind the widespread use of the hand as
an amulet in Islamic cultures. According to Berber thought, the hand signifies
protection, authority, power and strength; the manus had the same meaning for
the Romans, symbolizing in particular the authority of the pater familias and of
the emperor, and is sometimes to be seen surmounting the signum of the legions
in place of the imperial eagle. In the Islamic amulets mentioned above, the figure
of the hand undergoes various modifications or appears in association with other
symbols, as, for instance, the star, the dove, the bird, the fan, the zigzag and the
circle, forming emblems comparable with those of the Christian West (12). The
familiar emblem of the ‘linked hands’ is expressive of a virile fraternity, or solidarity in the face of danger (49). In Jung’s opinion, the hand is endowed with a generative significance (31). The difference between the right hand and the left is
usually ignored, but when the distinction is made it appears merely to serve the
purpose of enriching the basic significance with the additional implications of
space-symbolism, the right side corresponding to the rational, the conscious, the
logical and the virile; the left side representing the converse (33). There are alchemic images which represent a King clasping in his own left hand the left hand
of the Queen. Jung suggests that this may refer to the unconscious character of
their union but that it may also be indicative either of affection or of suspicion
(33).

To dream of your hands, represent your relationships with those around you and how you connect with the world. Hands serve as a form of communication and can represent authority, hate, protection, justice, etc depending on the gesture. Perhaps you need to lend a helping hand to someone. In particular, the left hand symbolizes your graciousness and your feminine, receptive qualities, while the right hand symbolizes the masculine and active attributes. The right hand may also be a pun for some decision or something being "right". If you dream that your hands are detached or see disembodied hands, then it indicates that you are not getting your point of view across. You are not being understood. The dream may also symbolize feelings of loneliness.

To dream that you are holding hands with someone, represents love, affection and your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart.

To dream that you hands are injured, denote an attack on your ego.

To dream that your hands are clasped or closed, signify unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help.

To dream that you have unusually large hands, denote success in achieving your goals.

To dream that your hands are hairy or rough, imply your lack of gentleness in dealing with others. You may be too brash and abrasive.

To see blood on your hands, signifies that you are experiencing some sort of guilt.

To dream that you are washing your hands, represent a worrisome issue that you need to work through. Alternatively, it suggests that you are in denial or no longer taking responsibility of some matter. You are letting go and getting things out of your system.

To dream that your hands are itchy, indicate issues with money. If the left hand is itchy, then it signifies money being received. If the right hand or both hands are itchy, then it signifies money being given or lost.

If you see beautiful hands in your dream, you will enjoy great distinction, and rise rapidly in your calling; but ugly and malformed hands point to disappointments and poverty. To see blood on them, denotes estrangement and unjust censure from members of your family.

If you have an injured hand, some person will succeed to what you are striving most to obtain.

To see a detached hand, indicates a solitary life, that is, people will fail to understand your views and feelings. To burn your hands, you will overreach the bounds of reason in your struggles for wealth and fame, and lose thereby.

To see your hands covered with hair, denotes that you will not become a solid and leading factor in your circle.

To see your hands enlarged, denotes a quick advancement in your affairs.
To see them smaller, the reverse is predicted.
To see your hands soiled, denotes that you will be envious and unjust to others.

To wash your hands, you will participate in some joyous festivity.

For a woman to admire her own hands, is proof that she will win and hold the sincere regard of the man she prizes above all others.

To admire the hands of others, she will be subjected to the whims of a jealous man. To have a man hold her hands, she will be enticed into illicit engagements. If she lets others kiss her hands, she will have gossips busy with her reputation. To handle fire without burning her hands, she will rise to high rank and commanding positions.

To dream that your hands are tied, denotes that you will be involved in difficulties. In loosening them, you will force others to submit to your dictations.

Dreaming of your hands, represents your relationship to those around you and how you connect with the world. Hands serve as a form of communication. Perhaps you need to lend out a helping hand to someone. In particular, the left hand symbolizes your graciousness and feminine, receptive qualities. And the right hand symbolizes masculine, active attributes. It may also be a pun for some decision or something being "right". Dreaming that you are holding hands with someone, represents your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart. Dreaming that you hands are injured indicates an attack on your ego. Dreaming that your hands are clasped or closed means unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help. Dreaming that you have unusually large hands indicates much success in achieving your goals. Dreaming that your hands are hairy or rough, implies your lack of gentleness in dealing with others. You may be too brash and abrasive. Seeing blood on your hands means that you are experiencing some sort of guilt. Dreaming that you are washing your hands, represents a worrisome issue that you need to work through. Alternatively, it suggests that you are no longer taking responsibilities in some matter. You are letting go and getting things out of your system.

To look up at the clear blue sky in your dream, denotes hope, possibilities, creativity, peace and freedom of expression. As the saying goes "the sky's the limit." If the sky is cloudy and overcast, then it foretells of sadness and trouble.

To see a green colored sky in your dream, symbolizes high hopes. The strange color of the sky helps to instantly draw your attention to it. The color green and the sky itself both represent hope, nature or creativity. So these are the qualities that you need to focus on. It is also indicative of a positive outlook and prosperous future.

To see a red colored sky in your dream, represents looming danger. Alternatively, it suggests that something is coming to an end. If the sky is white, then it symbolizes desires. If you dream of a colorful sky in your dream, then it denotes romance.

To dream that the sky is falling, represents your fear of the unknown. You feel that your hopes and dreams have been shattered. Perhaps you have been too idealistic and the dream is an attempt to bring you back to reality.

To dream that something is falling out of the sky, signifies your pessimistic attitude. You are losing perspective on a situation. If the object is getting closer and casting a shadow on you, then it indicates that you are being ignorant about some situation. You need to get out from under the shadow and gain a different perspective on things.

To dream of the sky, signifies distinguished honors and interesting travel with cultured companions, if the sky is clear. Otherwise, it portends blasted expectations, and trouble with women.

To dream of floating in the sky among weird faces and animals, and wondering all the while if you are really awake, or only dreaming, foretells that all trouble, the most excruciating pain, that reach even the dullest sense will be distilled into one drop called jealousy, and will be inserted into your faithful love, and loyalty will suffer dethronement.

To see the sky turn red, indicates that public disquiet and rioting may be expected.

To look up at the clear blue sky in your dream indicates peace and freedom of expression. If the sky is cloudy and overcast, then it foretells of sadness and trouble.

A symbol which confirms what we have suggested concerning the
steed. He is the master, the logos, the spirit which prevails over the mount (that
is, over matter). But this is possible only after a lengthy period of apprenticeship, which may be seen, historically speaking, as a real attempt to create in the
knight a human type superior to all others. As a consequence, the education of the
knight was directed in part to strengthening him physically, but in particular to
developing his soul and spirit, his affections (that is, his morals) and his mind
(that is, his reason) in order to prepare him adequately for the task of directing
and controlling the real world, so that he might take his proper place in the
hierarchies of the universe (that is, in the feudal hierarchy, ordered after the
celestial pattern, ranging from the baron up to the king). We also find mounted
monks, priests and laymen skilfully controlling their steed, thereby demonstrating their allegiance to the spiritual (or symbolic) order of knighthood in deliberate
competition with the historico-social order of knights. This is why in the basreliefs on the capitals in the cloister at Silos, knights are shown bestriding goats.
Now, goats are symbolic of superiority, because of their association with high
peaks, and Rabanus Maurus points out that knights mounted on goats must therefore be interpreted as saints (46). Of course, the purpose of the assimilation
of saint with knight is to magnify the symbolic worth of the knight, as in the case
of St. Ignatius Loyola. More profound examples of such assimilation are to be
seen in that of the king and knight (King Arthur), or the king, knight and saint (St.
Ferdinand III of Spain or St. Louis IX of France). This knight-symbolism is common in all symbolic traditions. Ananda Coomaraswamy observes that ‘the
“horse” is a symbol of the bodily vehicle, and the “rider” is the Spirit: when the
latter has come to the end of its incarnations, the saddle is unoccupied, and the
vehicle necessarily dies’ (60). By taking account of certain other orders of things
analogous with chivalry, including (particularly) alchemy (which was in fact a
mediaeval technique of spiritualization) and also certain aspects of colour-symbolism, we have been able to arrive at a system of analogies which we believe to
be very helpful in explaining some of the more recondite aspects of the symbolism of knighthood. Mediaeval tales and legends often refer to a green, white or red
knight, but most frequently of all to a black knight. Should we regard this as
merely a matter of aesthetic appreciation of the colour in a literal and decorative
sense? Or does the choice of colour proceed necessarily from a highly significant
cause? The latter, we think. In alchemy, the rising scale of colours (the progressive, evolutive scale) is: black, white, red (corresponding to prime matter, mercury, sulphur), with gold representing the hypothetical, final stage. Conversely, it
can be said that the descending scale would be from blue to green, that is, descending from heaven to earth. These two colours stand for the celestial, and the natural
or terrestrial factors. Furthermore, black is associated with sin, penitence, the
withdrawal of the recluse, the hidden, rebirth in seclusion, and sorrow; white with
innocence (natural as well as that regained through expiation), illumination,
openheartedness, gladness; and red with passion (moral or material—love or
pain), blood, wounds, sublimation and ecstasy. We may therefore surmise that
the Green Knight is the pre-knight, the squire, the apprentice sworn to knighthood; the Black Knight stands for him who undergoes the tribulations of sin,
expiation and obscurity in order to attain to immortality by way of earthly glory
and heavenly beatitude; the White Knight (Sir Galahad) is the natural conqueror,
the ‘chosen one’ of the Evangelists, or the ‘illuminated one’ reemerging from a
period of nigredo; the Red Knight is the knight sublimated by every possible
trial, bloodied from every possible sacrifice, supremely virile, the conqueror of all
that is base, who, having completed his life’s work, is fully deserving of gold in its
ultimate transmutation—glorification. Knighthood should be seen, then, as a
superior kind of pedagogy helping to bring about the transmutation of natural
man (steedless) into spiritual man. An important part was played in this symbolic tradition by prototypes such as the famous, mythical knights of the court of
King Arthur or patron saints such as St. George, Santiago of Compostela, or the
archangel Michael. The practical means of achieving the knight’s ultimate goal
consisted of corporeal exertions, which were, in effect, not merely physical or
material since the knight practised with all kinds of arms, and these arms stood
for symbolic potentialities; these practical exertions, then, led eventually to the
inversion of the world of desire through the ascetic denial of physical pleasure—
the very essence of knighthood—and the almost mystic cult of the beloved. The knight’s relative shortcomings while carrying out his sworn duties provide the
explanation of the colour black which we have just examined. Nevertheless, other
explanations have also been advanced, as for example that the knight is the ‘guardian of the treasure’, supplanting the monster he has conquered (the serpent or
dragon). Clearly this symbolism is not opposed to that which we have proposed,
rather does it support it by emphasizing the essential mission of the knight’s
service. Another interesting aspect of knight-symbolism—though, in a way, a
negative one—can be seen in the use of the epithets ‘wandering’ and ‘errant’ in
mediaeval tales, legends and folklore. At times, the adjective has a precise meaning, at other times it is much more imprecise. In every case, the wandering (or
‘errantry’) of the knight implies an intermediate position between the ‘saved’
knight and the accursed hunter, with the difference that the knight errant, so far
from being caught up in the pursuit of his desires, is of course striving to master
them—and this is what we had in mind when we observed that this aspect ‘in a
way, is a negative one’. Needless to say, this symbolism of one who takes the
dark and lonely path of expiation, verifies our observation that the Black Knight
is a symbol of withdrawal, penitence and sacrifice.

To see a knight in your dream, signifies honor, protection and security. The knight can be seen as a savior or someone who sweeps you off your feet, as in the "knight in shining armor".

To dream that you are knighted, indicates that you are being recognized for your good character. You are being entrusted with power and authority.

Seeing a knight in your dream means protection and security. The knight can be seen as a savior or someone who sweeps you off your feet, as in the "knight in shining armor".

To see or dream that you are on a balcony, refers to your desire to be seen and noticed. You are searching for prestige and higher status. It may also mean that you are on your way up the social ladder. If the balcony is clean, then it indicates that you are looked up to by others. If the balcony is old, then it suggests that your public image is in need of repair. Alternatively, the balcony could signify your ambivalence regarding a situation. You are feeling torn or undecided.

For lovers to dream of making sad adieus on a balcony, long and perhaps final separation may follow. Balcony also denotes unpleasant news of absent friends.

Dreaming of or dream that you are on a balcony, refers to your desire to be seen and noticed. It may also mean that you are on your way up the social ladder.

Spinning—like singing—is equivalent to bringing forth and fostering life. Hence Schneider’s comment ‘unhappy is the poor spinner who leaves her
skeins (that is, her offspring) to dry on the river-bank and finds them gone’ (51).
The Parcae, like fairies, are spinners. Likewise, a host of figures of legend and
folklore.

To dream that you are spinning, means that you will engage in some enterprise, which will be all you could wish.

To dream about an apartment, symbolizes a financial or situational state. To dream of a large, lavish apartment, indicates an increase to your financial situation or an improvement to your family life. To dream of a shabby and dark apartment, indicates misfortune and possible loss.

When you dream of an apartment, try to remember its caracteristics: the bigger and wealthier it is, the more financially and emotionally successful you will get. The smaller and darker it is, the more financially and emotionally deprived you will be.