During a meditation, slipped into a dream-like state. Looks like India, outside of an Ashram, Ashram had columns, huge trees and a year with a yard. just ground on the floor. Ashram was very old, made of stone. Some voice said that Isa will be left outside of it. It talked about something else, but I don't remember what it was.
Taking medication is always indicative of an attempt to restore one's health. Your unconscious mind may be encouraging you to take measures to insure your health and happiness. Consider all of the details of your dream and decide if the medication taken was helpful or hurtful. Try to connect these thoughts to your situations in daily life.
A broad term embracing a number of techniques for achieving various altered states of awareness, with some of these altered states resulting in the ecstatic qualities of so-called “peak experience;” most meditative techniques are ways of learning to still the agitation of the mind so that more subtle and valuable aspects of self and reality may be perceived; some techniques involve concentration, in which attention is focused on a particular object and restrained from wandering, while others involve giving one’s total attention to whatever spontaneously happens, with no attempt to control or focus attention.
More than a symbol, the year is, as it were, the prototype of all cyclic
processes (the day, the span of human life, the rise and fall of a culture, the cosmic
cycle, etc.). All cycles are composed of an ascending and a descending phase, i.e.
evolution and involution; sometimes, cycles are also subdivided into three or,
more frequently, four phases (seasons of the year, ages of man). The overall
division of the cyclic process, however, need not necessarily be symmetrical.
Thus, in a cycle composed of twelve units, such as the year (or the wheel of the
Zodiac), the ascending and descending phases can be taken either as 6 plus 6
(symmetrical division) or 8 plus 4 (asymmetrical division). The former is a more
geometrical, the latter a more empirical division. The year is usually represented
by the figure of an old man in a circle, with two or three outer rings containing
such items as: the names of the months, the cycle of work appropriate to each
month, the signs of the Zodiac and so on. Often the circle of the year is, in its turn,
enclosed in a square the corners of which are occupied by four figures personify ing the four seasons. The tapestry of the Creation, in Gerona cathedral, is a
famous example. Two interesting points in connexion with the annual cycle are:
(i) in Chinese tradition, the cycle is divided into two equal parts, corresponding
respectively to darkness/death, and light/life; (ii) there was a primitive belief that
every man undergoes a process of regeneration every year, from December to
June, symbolizing death and resurrection (51) (Plate XXXII).
To dream of a year, signifies a passage of time. It represents a cycle of growth, learning and maturity.
Stone is a symbol of being, of cohesion and harmonious reconciliation
with self. The hardness and durability of stone have always impressed men,
suggesting to them the antithesis to biological things subject to the laws of change,
decay and death, as well as the antithesis to dust, sand and stone splinters, as
aspects of disintegration. The stone when whole symbolized unity and strength;
when shattered it signified dismemberment, psychic disintegration, infirmity,
death and annihilation. Stones fallen from heaven served to explain the origin of
life. In volcanic eruptions, air turned to fire, fire became ‘water’ and ‘water’
changed to stone; hence stone constitutes the first solid form of the creative
rhythm (51)—the sculpture of essential movement, and the petrified music of creation (50). The mythic and religious significance is only one step removed
from this basic symbolic sense, a step which was taken by the immense majority
of peoples during the animistic era. Meteorites, in particular, came in for worship; the most celebrated are the Kaaba meteorite in Mecca and the Black Stone
of Pessinus, an aniconic image of the Phrygian Great Mother taken to Rome
during the last of the Punic Wars (17). Here is a description of the Mohammedans’ stone, taken from Marques-Rivière: ‘Inside the Kaaba, which is nothing
more than a dark hall, there are three columns holding up the roof which has a
number of silver and gold lamps hanging down from it. The floor is of marble tiles.
In the eastern corner, some five feet above floor-level, not far from the door, is the
famous black stone (al hadjar alaswad) sealed off, composed of three great
sections. . . . In colour it is reddish black with red and yellow patches; in appearance it recalls lava or basalt’ (39). Among the stones venerated by the ancients, we
must not overlook the Greek omphaloi; Guénon maintains that they are really
bethels, a word derived from the Hebrew Beith-El (or the House of God), related
to the biblical ‘And this stone which I have set for a pillar, shall be God’s House’
(Genesis xxviii, 22), even though its sense is magic and not architectonic (28).
There are numerous legends dealing with stones: the so-called Abadir which
Saturn devoured, mistaking it for Jupiter; or the stones of Deucalion and Pyrrha;
or those in the myth of Medusa the Gorgon (6); or that which contained Mithras
until his birth (11). There are other stones in folktales, but these seem to be
invested with rather more modest powers: the Lapis lineus, for example, as it was
called by the Romans, which was supposed to be able to prophesy by changing
its colour; or the Irish stone Lia-Fail, associated with coronations (8). As for the
philosophers’ stone in alchemy, it represents the ‘conjunction’ of opposites, or
the integration of the conscious self with the feminine or unconscious side (or in
other words, the fixing of volatile elements); it is, then, a symbol of the All (33).
As Jung rightly says, the alchemists approached their task obliquely—they did
not seek the divine in matter but tried to ‘produce’ it by means of a lengthy
process of purification and transmutation (32). According to Evola, the touchstone is symbolic of the body, since it is ‘fixed’, as opposed to the ‘wandering’
characteristic of thought, the spirits and desires. But only the resuscitated body—
in which ‘two will be one’—can correspond to the philosophers’ stone. Evola
points out that, for the alchemist, ‘between eternal birth, reintegration, and the
discovery of the philosophers’ stone, there is no difference whatsoever’.
To see stones in your dreams, foretells numberless perplexities and failures.
To walk among rocks, or stones, omens that an uneven and rough pathway will be yours for at least a while.
To make deals in ore-bearing rock lands, you will be successful in business after many lines have been tried. If you fail to profit by the deal, you will have disappointments. If anxiety is greatly felt in closing the trade, you will succeed in buying or selling something that will prove profitable to you.
Small stones or pebbles, implies that little worries and vexations will irritate you.
If you throw a stone, you will have cause to admonish a person.
If you design to throw a pebble or stone at some belligerent person, it denotes that some evil feared by you will pass because of your untiring attention to right principles.
Seeing stones in your dream, symbolizes strength, unity, and unyielding beliefs. Consider the common phrase "etched in stone" which suggest permanence and unchanging attitudes. Some stones also carry sacred and magical meanings. Alternatively, stones may relate to issues of moral judgment and/or guilt. Dreaming that you are carrying a bag of stones, refers to your inner strength and fortitude that you have yet to unleash and reveal to others. Seeing rough stones in your dream, represents your quest in recognizing and developing your self-identity. Part of this quest is to become aware of your unconscious and suppressed thoughts. For various cultures, stones have spiritual significance. Consider the Black Stone of Mecca which is believed by Muslims to allow for direct communication with God. For the Irish, the Blarney Stone is seen as a gift of eloquence.
To see something old in your dream, suggests that there is something in your life that you need to replace or get rid of. Alternatively, the dream means that there may be something in the past that you need to incorporate into your current life.
Seeing something old in your dream, suggests that there is something in your life that you need to replace or get rid of.
To see the floor in your dream, represents your support system and sense of security. You have a firm foundation that you can depend on. The floor in your dream may also symbolize the division between the unconscious and conscious. Alternatively, the dream may be a pun on being "floored" or being completely surprised. Perhaps you have been caught off guard about something.
To see a polished, wooden floor in your dream, indicates that you are fully aware of your unconscious and keeping it suppressed. Consider the condition of the floor for further analysis.
To see a slanted floor in your dream, indicates that you are deviating too far from your original plans and goals.
To dream about the floors of a building, represents your level of understanding, awareness or success. The higher floors signify higher accomplishments and achievements. If you are in the lower floors, then it refers to more primal attitudes, the unconscious and/or sexuality. It also denotes failures. Consider the significance of the floor number and the type of building the floors are on.
Seeing the floor in your dream, represents your support. It may also represent the division between the unconscious and conscious. Seeing a polished, wooden floor in your dream indicates that you are fully aware of your unconscious and keeping it suppressed. Seeing a slanted floor in your dream, foretells that you are deviating too far from your original plans and goals.
To see a neat and well-kept yard, reflects your ability to maintain and organize aspects of your outside life, such as work and your social activities.
To see a messy and unkempt yard, denotes that aspects of your life are out of your control.
Seeing a neat and well-kept yard, reflects your ability to maintain and organize aspects of your outside life, such as work and your social activities. Seeing a messy and un-kept yard indicates that aspects of your life are out of your control.
To dream of hearing voices, denotes pleasant reconciliations, if they are calm and pleasing; high-pitched and angry voices, signify disappointments and unfavorable situations.
To hear weeping voices, shows that sudden anger will cause you to inflict injury upon a friend.
If you hear the voice of God, you will make a noble effort to rise higher in unselfish and honorable principles, and will justly hold the admiration of high-minded people.
For a mother to hear the voice of her child, is a sign of approaching misery, perplexity and grievous doubts.
To hear the voice of distress, or a warning one calling to you, implies your own serious misfortune or that of some one close to you. If the voice is recognized, it is often ominous of accident or illness, which may eliminate death or loss.